rly readings; or whether to disregard chronological
sequence, and wait until the time of the _Works_--1818--had come, and
print them all together then. I decided, in the interests of their
biographical value, to print them in the order as they first appeared,
particularly as Crabb Robinson tells us that Lamb once said of the
arrangement of a poet's works: "There is only one good order--and that
is the order in which they were written--that is a history of the poet's
mind." It then had to be decided whether to print them in their first
shape, which, unless I repeated them later, would mean the relegation of
Lamb's final text to the Notes, or to print them, at the expense of a
slight infringement upon the chronological scheme, in their final 1818
state, and relegate all earlier readings to the Notes. After much
deliberation I decided that to print them in their final 1818 state was
best, and this therefore I did in the large edition of 1903, to which
the student is referred for all variorum readings, fuller notes and many
illustrations, and have repeated here. In order, however, that the
scheme of Lamb's 1818 edition of his _Works_ might be preserved, I have
indicated in the text the position in the _Works_ occupied by all the
poems that in the present volume have been printed earlier.

The chronological order, in so far as it has been followed, emphasises
the dividing line between Lamb's poetry and his verse. As he grew older
his poetry, for the most part, passed into his prose. His best and
truest poems, with few exceptions, belong to the years before, say,
1805, when he was thirty. After this, following a long interval of
silence, came the brief satirical outburst of 1812, in _The Examiner_,
and the longer one, in 1820, in _The Champion_; then, after another
interval, during which he was busy as Elia, came the period of album
verses, which lasted to the end. The impulse to write personal prose,
which was quickened in Lamb by the _London Magazine_ in 1820, seems to
have taken the place of his old ambition to be a poet. In his later and
more mechanical period there were, however, occasional inspirations, as
when he wrote the sonnet on "Work," in 1819; on "Leisure," in 1821; the
lines in his own Album, in 1827, and, pre-eminently, the poem "On an
Infant Dying as Soon as Born," in 1827.

This volume contains, with the exception of the verse for children,
which will be found in Vol. III. of this edition, all the accessible