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ree times repeated, was a warning that he who heard it should prepare for death, which he must infallibly and unexpectedly receive from an unknown hand. The secret court was called the _fehm_ tribunal (Vehmgericht) or Westphalian. It is difficult to determine its origin; according to some writers it was instituted by Charlemagne. At first necessary, it gave opportunity for many abuses later on, and governments were forced to exercise severity occasionally against the judges themselves, before this institution was completely overthrown. [Scott's graphic description in "Anne of Geierstein" of the court and procedure of the Vehmgericht will be instantly suggested.] (16) _"__A sudden cry.__"_ _--__"__What cleaves the silent air,_ _So madly shrill, so passing wild?_ _It was a woman's shriek, and ne'er_ _In madlier ascents rose despair;_ _And they who heard it as it passed,_ _In mercy wished it were the last.__"_--PARISINA. [The coincidence, or borrowing of ideas, is manifest, but the image has been amplified and beautified in the Polish poem.] _N.B._--In all the Polish words retained in the text, _j_ is pronounced like _y_, and _w_ like _v_. PRINTED BY BALLANTYNE, HANSON AND CO. EDINBURGH AND LONDON. 1 Lithuanian woman. 2 Inhabitant of Rus (White Russia, Little Russia, also Red Russia, or Galicia). 3 Pole. The native name of _Polska_ is derived from _pole_=field, and _Lachy_=plain of the Lachs. 4 Bard. 5 "Exoriare aliquis ex ossibus nostris ultor." --AEneid, B. iv. l. 625. ***END OF THE PROJECT GUTENBERG EBOOK KONRAD WALLENROD*** CREDITS October 9, 2010 Project Gutenberg TEI edition 1 Produced by Jimmy O'Regan. (Produced from images generously made available by the Internet Archive (http://archive.org/)) A WORD FROM PROJECT GUTENBERG This file should be named 34050.txt or 34050.zip. This and all associated files of various formats will be found in: http://www.gutenberg.org/dirs/3/4/0/5/34050/ Updated editions will replace the previous one -- the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without
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