ize, the windows of which look on the garden."

"Dear me, is there no ante-chamber?" asked Madame Auffray.

"The corridor, full of draughts, answers for an ante-chamber," replied
Madame Tiphaine. "Our friends have had, they assured us, the eminently
national, liberal, constitutional, and patriotic feeling to use none
but French woods in the house; so the floor in the dining-room is
chestnut, the sideboards, tables, and chairs, of the same. White
calico window-curtains, with red borders, are held back by vulgar red
straps; these magnificent draperies run on wooden curtain rods ending
in brass lion's-paws. Above one of the sideboards hangs a dial
suspended by a sort of napkin in gilded bronze,--an idea that seemed
to please the Rogrons hugely. They tried to make me admire the
invention; all I could manage to say was that if it was ever proper to
wrap a napkin round a dial it was certainly in a dining-room. On the
sideboard were two huge lamps like those on the counter of a
restaurant. Above the other sideboard hung a barometer, excessively
ornate, which seems to play a great part in their existence; Rogron
gazed at it as he might at his future wife. Between the two windows is
a white porcelain stove in a niche overloaded with ornament. The walls
glow with a magnificent paper, crimson and gold, such as you see in
the same restaurants, where, no doubt, the Rogrons chose it. Dinner
was served on white and gold china, with a dessert service of light
blue with green flowers, but they showed us another service in
earthenware for everyday use. Opposite to each sideboard was a large
cupboard containing linen. All was clean, new, and horribly sharp in
tone. However, I admit the dining-room; it has some character, though
disagreeable; it represents that of the masters of the house. But
there is no enduring the five engravings that hang on the walls; the
Minister of the Interior ought really to frame a law against them. One
was Poniatowski jumping into the Elster; the others, Napoleon pointing
a cannon, the defence at Clichy, and the two Mazepas, all in gilt
frames of the vulgarest description,--fit to carry off the prize of
disgust. Oh! how much I prefer Madame Julliard's pastels of fruit,
those excellent Louis XV. pastels, which are in keeping with the old
dining-room and its gray panels,--defaced by age, it is true, but they
possess the true provincial characteristics that go well with old
family silver, precious china, and our