to the poor, and danced at midday in May in
the procession of the Virgin of Turumba [41] in Pakil. But it was all
with no result until Fray Damaso advised her to go to Obando to dance
in the fiesta of St. Pascual Bailon and ask him for a son. Now it
is well known that there is in Obando a trinity which grants sons or
daughters according to request--Our Lady of Salambaw, St. Clara, and
St. Pascual. Thanks to this wise advice, Dona Pia soon recognized the
signs of approaching motherhood. But alas! like the fisherman of whom
Shakespeare tells in _Macbeth_, who ceased to sing when he had found a
treasure, she at once lost all her mirthfulness, fell into melancholy,
and was never seen to smile again. "Capriciousness, natural in her
condition," commented all, even Capitan Tiago. A puerperal fever put
an end to her hidden grief, and she died, leaving behind a beautiful
girl baby for whom Fray Damaso himself stood sponsor. As St. Pascual
had not granted the son that was asked, they gave the child the name
of Maria Clara, in honor of the Virgin of Salambaw and St. Clara,
punishing the worthy St. Pascual with silence.
The little girl grew up under the care of her aunt Isabel, that good
old lady of monkish urbanity whom we met at the beginning of the
story. For the most part, her early life was spent in San Diego, on
account of its healthful climate, and there Padre Damaso was devoted
to her.
Maria Clara had not the small eyes of her father; like her mother,
she had eyes large, black, long-lashed, merry and smiling when she
was playing but sad, deep, and pensive in moments of repose. As a
child her hair was curly and almost blond, her straight nose was
neither too pointed nor too flat, while her mouth with the merry
dimples at the corners recalled the small and pleasing one of her
mother, her skin had the fineness of an onion-cover and was white as
cotton, according to her perplexed relatives, who found the traces
of Capitan Tiago's paternity in her small and shapely ears. Aunt
Isabel ascribed her half-European features to the longings of Dona
Pia, whom she remembered to have seen many times weeping before
the image of St. Anthony. Another cousin was of the same opinion,
differing only in the choice of the smut, as for her it was either
the Virgin herself or St. Michael. A famous philosopher, who was
the cousin of Capitan Tinong and who had memorized the "Amat," [42]
sought for the true explanation in planetary influences.
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