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y one man in the world who could achieve Guida's full justification, and that was himself, Detricand of Vaufontaine. He was glad to turn to the Chevalier's letters from Jersey. It was from the Chevalier's lips he had learned the whole course of Guida's life during the four years of his absence from the island. It was the Chevalier who drew for him pictures of Guida in her new home, none other than the house of Elie Mattingley, which the Royal Court having confiscated now handed over to her as an act of homage. The little world of Jersey no longer pointed the finger of scorn at Guida Landresse de Landresse, but bent the knee to Princess Guida d'Avranche. Detricand wrote many letters to the Chevalier, and they with their cheerful and humorous allusions were read aloud to Guida--all save one concerning Philip. Writing of himself to the Chevalier on one occasion, he laid bare with a merciless honesty his nature and his career. Concerning neither had he any illusions. I do not mistake myself, Chevalier [he wrote], nor these late doings of mine. What credit shall I take to myself for coming to place and some little fame? Everything has been with me: the chance of inheritance, the glory of a cause as hopeless as splendid, and more splendid because hopeless; and the luck of him who loads the dice-- for all my old comrades, the better men, are dead, and I, the least of them all, remain, having even outlived the cause. What praise shall I take for this? None--from all decent fellows of the earth, none at all. It is merely laughable that I should be left, the monument of a sacred loyalty greater than the world has ever known. I have no claims--But let me draw the picture, dear Chevalier. Here was a discredited, dissolute fellow whose life was worth a pin to nobody. Tired of the husks and the swine, and all his follies grown stale by over-use, he takes the advice of a good gentleman, and joins the standard of work and sacrifice. What greater luxury shall man ask? If this be not running the full scale of life's enjoyment, pray you what is? The world loves contrasts. The deep-dyed sinner raising the standard of piety is picturesque. If, charmed by his own new virtues, he is constant in his enthusiasm, behold a St. Augustine! Everything is with the returned prodigal--the more so if he be of the notorious Vaufontaines, who were ever saints turned sinners, or sinn
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