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she was telling me--just as one tells something too strange for comment or emotion--how her father had been shot and her sister outraged and murdered before her eyes. It was as if one had dipped into something primordial and stupendous beneath the smooth and trivial surfaces of life. There was I, you know, the promising young don from Cambridge, who wrote quite brilliantly about politics and might presently get into Parliament, with my collar and tie in my hand, and a certain sense of shameful adventure fading out of my mind. "Ach Gott!" she sighed by way of comment, and mused deeply for a moment before she turned her face to me, as to something forgotten and remembered, and assumed the half-hearted meretricious smile. "Bin ich eine hubsche?" she asked like one who repeats a lesson. I was moved to crave her pardon and come away. "Bin ich eine hubsche?" she asked a little anxiously, laying a detaining hand upon me, and evidently not understanding a word of what I was striving to say. 8 I find it extraordinarily difficult to recall the phases by which I passed from my first admiration of Margaret's earnestness and unconscious daintiness to an intimate acquaintance. The earlier encounters stand out clear and hard, but then the impressions become crowded and mingle not only with each other but with all the subsequent developments of relationship, the enormous evolutions of interpretation and comprehension between husband and wife. Dipping into my memories is like dipping into a ragbag, one brings out this memory or that, with no intimation of how they came in time or what led to them and joined them together. And they are all mixed up with subsequent associations, with sympathies and discords, habits of intercourse, surprises and disappointments and discovered misunderstandings. I know only that always my feelings for Margaret were complicated feelings, woven of many and various strands. It is one of the curious neglected aspects of life how at the same time and in relation to the same reality we can have in our minds streams of thought at quite different levels. We can be at the same time idealising a person and seeing and criticising that person quite coldly and clearly, and we slip unconsciously from level to level and produce all sorts of inconsistent acts. In a sense I had no illusions about Margaret; in a sense my conception of Margaret was entirely poetic illusion. I don't think I was ever bl
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