Cornelius," I said, "the
time will never come." He took a few seconds to gather this in. "What!"
he fairly squealed. "Why," I continued from my side of the gate,
"haven't you heard him say so himself? He will never go home." "Oh! this
is too much," he shouted. He would not address me as "honoured sir" any
more. He was very still for a time, and then without a trace of humility
began very low: "Never go--ah! He--he--he comes here devil knows
from where--comes here--devil knows why--to trample on me till I
die--ah--trample" (he stamped softly with both feet), "trample like
this--nobody knows why--till I die. . . ." His voice became quite
extinct; he was bothered by a little cough; he came up close to the
fence and told me, dropping into a confidential and piteous tone,
that he would not be trampled upon. "Patience--patience," he muttered,
striking his breast. I had done laughing at him, but unexpectedly he
treated me to a wild cracked burst of it. "Ha! ha! ha! We shall see! We
shall see! What! Steal from me! Steal from me everything! Everything!
Everything!" His head drooped on one shoulder, his hands were hanging
before him lightly clasped. One would have thought he had cherished
the girl with surpassing love, that his spirit had been crushed and his
heart broken by the most cruel of spoliations. Suddenly he lifted his
head and shot out an infamous word. "Like her mother--she is like her
deceitful mother. Exactly. In her face, too. In her face. The devil!"
He leaned his forehead against the fence, and in that position
uttered threats and horrible blasphemies in Portuguese in very weak
ejaculations, mingled with miserable plaints and groans, coming out with
a heave of the shoulders as though he had been overtaken by a deadly fit
of sickness. It was an inexpressibly grotesque and vile performance,
and I hastened away. He tried to shout something after me. Some
disparagement of Jim, I believe--not too loud though, we were too near
the house. All I heard distinctly was, "No more than a little child--a
little child."'

CHAPTER 35

'But next morning, at the first bend of the river shutting off the
houses of Patusan, all this dropped out of my sight bodily, with its
colour, its design, and its meaning, like a picture created by fancy on
a canvas, upon which, after long contemplation, you turn your back for
the last time. It remains in the memory motionless, unfaded, with its
life arrested, in an unchanging light. There