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y, it is doubtless because he had more feeling than any of his contemporaries, and appreciates more keenly the horror of this terrible epoch. CHAPTER IV. CONVENTS.--NEIGHBOURHOOD OF CONVENTS.--CONVENTS IN THE SEVENTEENTH CENTURY.--CONTRAST WITH THE MIDDLE AGE.--THE DIRECTOR.--DISPUTE ABOUT THE DIRECTION OF THE NUNS.--THE JESUITS TRIUMPH THROUGH CALUMNY. An ingenuous and intellectual German lady told me one day that, when she came with her husband to Paris for the first time, they had wandered about in a grand but very dull quarter of the town, where they made an infinite number of turns and windings without being able to find their way. They had entered by a public garden, and found at last another public garden that brought them out again at the quay. I saw that she meant the learned and pious neighbourhood which contains so many convents and colleges, and reaches from the Luxembourg to the "Jardin des Plantes." "I saw," said this lady, "whole streets with gardens, surrounded with high walls, that reminded me of the deserted districts of Rome, where the _malaria_ prevails, with this difference, that these were not deserted, but, as it were, mysteriously inhabited, shut up, mistrustful, and inhospitable. Other streets, exceedingly dark, were in a manner buried between two rows of lofty grey houses with no front aspect, and which showed, as it were in derision, their walled-up windows, or their rivetted lattices, turned upside down, by which one may see--nothing. We asked our way several times, and it was often pointed out to us; but somehow or other, after having gone up and down and up again, we ever found ourselves at the same point. Our _ennui_ and fatigue increased. We invincibly and fatally met with the same dull streets, and the same dismal houses sullenly shut, which seemed to look at us with an evil eye. Exhausted at last, and seeing no end to the puzzle, oppressed more and more by a certain dispiriting influence that seemed to ooze from these walls, I sat down upon a stone and began to weep." A dispiriting lassitude does indeed seize and oppress our hearts at the very sight of these disagreeable-looking houses; the most cheerful are the hospitals. Having been for the most part built or rebuilt in those times of solemn dulness, the reigns of Louis XIII. and Louis XIV., there is nothing about them to remind us of the lovely art of the _renaissance_. The latest memento of that art is th
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