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oks a word here and there upon this dark subject; but no one yet had reached the same depth in the tomb, that deep pit where the soul is about to be buried. Madame Guyon indulges in a sort of pleasure, or perseverance, I had almost said eagerness, to grope still lower, to find, beyond all funereal ideas, a more definite death, a death more decidedly dead. There are many things in it, that we should never have expected from a woman's hand: passion in its transports forgets reserve. This soul, that is destined to perish, must first be divested, by her divine lover, of her trappings, the gifts that had ornamented her: he snatches off her garments, that is to say, the virtues in which she had been enveloped.--O shame! She sees herself naked, and knows not where to hide! This is not yet enough; her beauty is taken away. O horror! She sees she is ugly. Frightened and wandering, she runs and becomes loathsome. The faster she runs towards God, "the more she is soiled by the dirty paths she must travel in." Poor, naked, ugly, and deformed, she loses a taste for everything, understanding, memory, and will; lastly, she loses together with her will a something or other "that is her favourite," and would be a substitute for all--the idea that she is a child of God. This is properly the death at which she must arrive at last. Let nobody, neither the director nor any other, attempt to relieve her. She must die, and be put in the ground; be trodden under foot and walked upon, become foul and rotten, and suffer the stench of corruption, until rottenness becoming dust and ashes, hardly anything may remain to testify that the soul ever existed. What was the soul must, if it still thinks, apparently think that all it can now do is, to remain motionless in the bosom of the earth. Now, however, it begins to feel something surprising! Has the sun darted a ray through a crack in the tomb? perhaps only for one moment? No: the effect is durable, the dead soul revives, recovers some strength, a sort of life. But this is no longer her own life, it is _life in God_. She has no longer anything of her own, neither will nor desire. What has she to do to possess what she loves? Nothing, nothing, eternally nothing. But can she have any defects in this state? Doubtless she has; she knows them, but does nothing to get rid of them: to be able to do so, she would have to become as before, "thoughtful about herself." These are little m
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