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e and sank in each other's arms before a crowd of sympathising and tearful spectators. This took place more than a hundred and twenty years ago, but I have in my possession what I can only describe as the "literature" of a marriage celebrated three years ago between a North and a South German, both belonging to commercial families of old standing; and it supplies me, if I needed it, with documentary evidence that Germans enjoy now what they enjoyed then. The marriage took place in winter and from a flat, so that the bride's friends could not build grottoes or hide musicians behind a bush; but for weeks before both sides of the family must have been busy composing the poems sung at the wedding feast, the music that accompanied them, and the elaborate humorous verses containing allusions to the past history of the bride and bridegroom. To begin with, there is a dainty book of picture postcards, the first one giving portraits of a very handsome and dignified bridegroom with his dainty bride. Then there is a view of Dresden where the bridegroom was born, another of the Rhenish town in which he found his bride, and one of Berlin where she used to stay with a married sister and deal "baskets" right and left to would-be admirers. In Germany, when a girl refuses a man she is said to give him a "basket," and a favourite old figure in the cotillon used to put one in a girl's hands and then present two men to her. She danced with the one she liked best, and the rejected man had to dance round after them with the basket. Besides the book of postcards, each guest at this wedding was presented with printed copies of the _Tafel-Lieder_ composed by members of the family. One of these has eight verses and each verse has eight lines. It relates little events in the life of the bridegroom from babyhood onwards. You learn that he was a clever child, that he lived at home with his mother instead of going abroad to learn his work, that when he was young he ardently desired to go on the stage, that he is a fine gymnast and musician, but that he needs a wife because he is a dreamy person capable of putting on odd boots. Another _Tafel-Lied_ describes the courtship step by step, and even the assistance given by the poet's wife to bring the romance to its present happy conclusion. "At last Frau Sophie stirred in the affair, Her eyes had pierced to his heart's desire, With fine diplomacy she coaxed Miss Clare To own her ma
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