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luctuations in the dry kiln, since a change in temperature will greatly alter the relative humidity. In artificial drying, temperatures of from 150 to 180 degrees Fahrenheit are usually employed. Pine, spruce, cypress, cedar, etc., are dried fresh from the saw, allowing four days for 1-inch stuff. Hardwoods, especially oak, ash, maple, birch, sycamore, etc., are usually air-seasoned for three to six months to allow the first shrinkage to take place more gradually, and are then exposed to the above temperatures in the kiln for about six to ten days for 1-inch stuff, other dimensions in proportion. Freshly cut poplar and cottonwood are often dried direct from the saw in a kiln. By employing lower temperatures, 100 to 120 degrees Fahrenheit, green oak, ash, etc., can be seasoned in dry kilns without much injury to the material. Steaming and sweating the wood is sometimes resorted to in order to prevent checking and case-hardening, but not, as has been frequently asserted, to enable the material to dry. Air Circulation Air circulation is of the utmost importance, since no drying whatever can take place when it is lacking. The evaporation of moisture requires heat and this must be supplied by the circulating air. Moreover, the moisture laden air must be constantly removed and fresh, drier air substituted. Probably this is the factor which gives more trouble in commercial operations than anything else, and the one which causes the greatest number of failures. It is necessary that the air circulate through every part of the kiln and that the moving air come in contact with every portion of the material to be dried. In fact, the humidity is dependent upon the circulation. If the air stagnates in any portion of the pile, then the temperature will drop and the humidity rise to a condition of saturation. Drying will not take place at this portion of the pile and the material is apt to mould and rot. The method of piling the material on trucks or in the kiln, is therefore, of extreme importance. Various methods are in use. Ordinary flat piling is probably the poorest. Flat piling with open chimney spaces in the piles is better. But neither method is suitable for a kiln in which the circulation is mainly vertical. Edge piling with stickers running vertically is in use in kilns when the heating coils are beneath. This is much better. Air being cooled as it comes in contact with a pile
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