l principality, the fact
that the interviews include one with Emperor of AUSTRIA has in these
days a quaintly anachronistic effect, and at least serves to emphasise
the neutral origin of the story. However, they are of course successful;
and in the last chapter _Prince Ivor_ manages to be enormously
astonished at finding that the mysterious monarch of Samavia, for whom
he has been working, is none other than his own father--an obvious fact
that, with truly royal tactfulness, he had contrived to ignore
throughout the story. My advice to the author is to write up her
villains (at present they haven't a chance) and make the whole thing
into a film play. The wanderings of the two boys offer a fine
opportunity for scenic variety; while the sentiment is of precisely the
nature to be stimulated by a pianoforte accompaniment. As a three-reel
exclusive, in short, I can fancy _The Lost Prince_ entering triumphantly
into his appropriate kingdom.

* * * * *

"UNFURNISHED ROOM to Let in Clyde Road; quiet house; convenience
for washing once a week if necessary; rent 3s."--_Hastings and
St. Leonards Observer._

It sounds dirt-cheap.

End of the Project Gutenberg EBook of Punch, or the London Charivari, Volume
150, February 2, 1916, by Various

*** END OF THIS PROJECT GUTENBERG EBOOK PUNCH, VOL 150 ***

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