FREE BOOKS

Author's List




PREV.   NEXT  
|<   25   26   27   28   29   30   31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49  
50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   >>   >|  
ght I took this course, but my letter not being inserted, I enlarged upon the idea and composed a book called "Cetewayo and his White Neighbours." This semi-political work, or rather history, was very carefully constructed from the records of some six years' experience, and by the help of a shelf full of blue books that stare me in the face as I write these words; and the fact that it still goes on selling seems to show that it has some value in the eyes of students of South African politics. But when I had written my book I was confronted by a difficulty which I had not anticipated, being utterly without experience in such affairs--that of finding somebody willing to publish it. I remember that I purchased a copy of the _Athenaeum_, and selecting the names of various firms at hazard, wrote to them offering to submit my manuscript, but, strange to say, none of them seemed anxious to peruse it. At last--how I do not recollect--it came into the hands of Messrs. Truebner, who, after consideration, wrote to say that they were willing to bring it out on the half profit system, provided that I paid down fifty pounds towards the cost of production. I did not at all like the idea of parting with the fifty pounds, but I believed in my book, and was anxious to put my views on the Transvaal rebellion and other African questions before the world. So I consented to the terms, and in due course Cetewayo was published in a neat green binding. Somewhat to my astonishment, it proved a success from a literary point of view. It was not largely purchased--indeed, that fifty pounds took several years on its return journey to my pocket, but it was favourably, and in some instances almost enthusiastically, reviewed, especially in the colonial papers. [Illustration: MR. RIDER HAGGARD AND DAUGHTERS.] About this time the face of a girl whom I saw in a church at Norwood gave me the idea of writing a novel. The face was so perfectly beautiful, and at the same time so refined, that I felt I could fit a story to it which should be worthy of a heroine similarly endowed. When next I saw Mr. Truebner I consulted him on the subject. "You can write--it is certain that you can write. Yes, do it, and I will get the book published for you," he answered. Thus encouraged I set to work. How to compose a novel I knew not, so I wrote straight on, trusting to the light of nature to guide me. My main object was to produce the picture of a woman perfect in m
PREV.   NEXT  
|<   25   26   27   28   29   30   31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49  
50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   >>   >|  



Top keywords:

pounds

 

Truebner

 

experience

 

African

 

anxious

 

Cetewayo

 

published

 

purchased

 

enthusiastically

 

reviewed


DAUGHTERS

 

HAGGARD

 

papers

 

Illustration

 

colonial

 

binding

 

astonishment

 

Somewhat

 
consented
 

questions


proved

 
success
 

return

 

journey

 

pocket

 

instances

 

favourably

 

literary

 

largely

 
encouraged

compose
 

answered

 

straight

 

trusting

 
picture
 
produce
 
perfect
 

object

 
nature
 

refined


beautiful

 

Norwood

 

writing

 

perfectly

 

rebellion

 

consulted

 

subject

 

worthy

 

heroine

 

similarly