here? Perhaps, one
of these days, I may be able to make use of some of the many interesting
stories of events that have really happened, which have been placed in my
hands by persons who could speak as witnesses to the truth of the
narrative. Thus far, I have not ventured to disturb the repose of these
manuscripts in the locked drawer allotted to them. The true incidents are
so "far-fetched"; and the conduct of the real people is so "grossly
improbable"!
As for the object which I have had in view in writing this story, it is,
I hope, plain enough to speak for itself. I subscribe to the article of
belief which declares, that the conditions of human happiness are
independent of bodily affliction, and that it is even possible for bodily
affliction itself to take its place among the ingredients of happiness.
These are the views which "Poor Miss Finch" is intended to advocate--and
this is the impression which I hope to leave on the mind of the reader
when the book is closed.
W. C.
January 16th, 1872.
NOTE TO THE PRESENT EDITION.
IN expressing my acknowledgments for the favorable reception accorded to
the previous editions of this story, I may take the present opportunity
of adverting to one of the characters, not alluded to in the Letter of
Dedication. The German oculist--"Herr Grosse"--has impressed himself so
strongly as a real personage on the minds of some of my readers afflicted
with blindness, or suffering from diseases of the eye, that I have
received several written applications requesting me to communicate his
present address to patients desirous of consulting him! Sincerely
appreciating the testimony thus rendered to the truth of this little
study of character, I have been obliged to acknowledge to my
correspondents--and I may as well repeat it here--that Herr Grosse has no
(individual) living prototype. Like the other Persons of the Drama, in
this book and in the books which have preceded it, he is drawn from my
general observation of humanity. I have always considered it to be a
mistake in Art to limit the delineation of character in fiction to a
literary portrait taken from any one "sitter." The result of this process
is generally (to my mind) to produce a caricature instead of a character.
November 27th, 1872
CONTENTS
CHAPTER
FIRST Madame Pratolungo presents Herself
SECOND Madame Pratolungo makes a Voyage on Land
THIRD Poor Miss Finch
FOURTH Twilight View of the Man
FIFTH
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