FREE BOOKS

Author's List




PREV.   NEXT  
|<   26   27   28   29   30   31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50  
51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   >>   >|  
meo, the forlorn tremor and passionate frenzy of the terrible night before the burial, the fearful awakening, the desperation, the paroxysm, the death-blow that then is mercy and kindness,--all these were in unison with the spirit at first denoted, and through these was naturally accomplished its prefigured doom. If clearly to possess a high purpose, to follow it directly, to accomplish it thoroughly, to adorn it with every grace, to conceal every vestige of its art, and to cast over the art that glamour of poetry which ennobles while it charms, and while it dazzles also endears,--if this is greatness in acting, then was Adelaide Neilson's Juliet a great embodiment. It never will be forgotten. Its soft romance of tone, its splendour of passion, its sustained energy, its beauty of speech, and its poetic fragrance are such as fancy must always cherish and memory cannot lose. Placing this embodiment beside Imogen and Viola, it was easy to understand the secret of her extraordinary success. She satisfied for all kinds of persons the sense of the ideal. To youthful fancy she was the radiant vision of love and pleasure; to grave manhood, the image of all that chivalry should honour and strength protect; to woman, the type of noble goodness and constant affection; to the scholar, a relief from thought and care; to the moralist, a spring of tender pity--that loveliness, however exquisite, must fade and vanish. Childhood, mindful of her kindness and her frolic, scattered flowers at her feet; and age, that knows the thorny pathways of the world, whispered its silent prayer and laid its trembling hands in blessing on her head. She sleeps beneath a white marble cross in Brompton cemetery, and all her triumphs and glories have dwindled to a handful of dust. * * * * * NOTE ON CYMBELINE.--Genest records productions of Shakespeare's _Cymbeline_, in London, as follows: Haymarket, November 8, 1744; Covent Garden, April 7, 1746; Drury Lane, November 28, 1761; Covent Garden, December 28, 1767; Drury Lane, December 1, 1770; Haymarket, August 9, 1782; Covent Garden, October 18, 1784; Drury Lane, November 21, 1785, and January 29 and March 20, 1787; Covent Garden, May 13, 1800, January 18, 1806, June 3, 1812, May 29, 1816, and June 2, 1825; and Drury Lane, February 9, 1829; Imogen was represented, successively, by Mrs. Pritchard, Miss Bride, Mrs. Yates, Mrs. Barry, Mrs. Bulkley, Miss Younge, Mrs. Jordan, Mrs
PREV.   NEXT  
|<   26   27   28   29   30   31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50  
51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   >>   >|  



Top keywords:

Garden

 

Covent

 

November

 

December

 

January

 

Imogen

 

Haymarket

 

embodiment

 

kindness

 
Jordan

trembling
 

whispered

 

silent

 
prayer
 

blessing

 

marble

 
Brompton
 

cemetery

 
beneath
 

pathways


sleeps
 

spring

 

moralist

 

tender

 

loveliness

 

thought

 

affection

 

scholar

 

relief

 

exquisite


flowers

 

triumphs

 

thorny

 
scattered
 

frolic

 

vanish

 

Childhood

 
mindful
 

handful

 
August

October
 
Bulkley
 

successively

 

Genest

 

CYMBELINE

 

records

 

productions

 

Shakespeare

 
dwindled
 

Pritchard