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that magnificent outburst of scorn with tremendous power: but it was in the pathetic scene with Volumnia and Virgilia that he reached the summit of the Shakespearean conception. The deep heart as well as the imperial intellect of Coriolanus must then speak. It is, for the distracted son, a moment of agonised and pathetic conflict: for McCullough it was a moment of perfect adequacy and consummate success. The stormy utterance of revolted pride and furious disgust, in the denial of Volumnia's request--the tempestuous outburst, "I will not do it"--made as wild, fiery, and fine a moment in tragic acting as could be imagined; but the climax was attained in the pathetic cry-- "The gods look down, and this unnatural scene They laugh at." XIII. CHARLOTTE CUSHMAN. Making, one summer day, a pilgrimage to the grave of Charlotte Cushman, I was guided to the place of her rest by one of the labourers employed about the cemetery, who incidentally pronounced upon the deceased a comprehensive and remarkable eulogium. "She was," he said, "considerable of a woman, for a play-actress." Well--she was. The place of her sepulture is on the east slope of the principal hill in Mount Auburn. Hard by, upon the summit of the hill, stands the gray tower that overlooks the surrounding region and constantly symbolises, to eyes both far and near, the perpetual peace of which it is at once guardian and image. All around the spot tall trees give shade and music, as the sun streams on their branches and the wind murmurs in their leaves. At a little distance, visible across green meadows and the river Charles,--full and calm between its verdant banks,--rise the "dreaming spires" of Cambridge. Further away, crowned with her golden dome, towers old Boston, the storied city that Charlotte Cushman loved. Upon the spot where her ashes now rest the great actress stood, and, looking toward the city of her home and heart, chose that to be the place of her grave; and there she sleeps, in peace, after many a conflict with her stormy nature and after many sorrows and pains. What terrific ideals of the imagination she made to be realities of life! What burning eloquence of poesy she made to blaze! What moments of pathos she lived! What moods of holy self-abnegation and of exalted power she brought to many a sympathetic soul! Standing by her grave, on which the myrtle grows dense and dark, and over which the small birds swirl and twitter in t
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