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en says, the entangled branches of the thickly-set trees "were so twisted together, that they hardly left room for a person to pass." Here were innumerable hiding-places for the forest outlaws when hunted too closely by their foes. They lacked not food; the forest was filled with grazing deer and antlered stags. There was also abundance of smaller game,--the hare, the coney, the roe; and of birds,--the partridge, pheasant, woodcock, mallard, and heron. Fuel could be had in profusion when fire was needed. For winter shelter there were many caverns, for Sherwood forest is remarkable for its number of such places of refuge, some made by nature, others excavated by man. Happy must have been the life in this greenwood realm, jolly the outlaws who danced and sang beneath its shades, merry as the day was long their hearts while summer ruled the year, while even in drear winter they had their caverns of refuge, their roaring wood-fires, and the spoils of the year's forays to carry them through the season of cold and storm. A follower of bold Robin might truly sing, with Shakespeare,-- "Under the greenwood tree, Who loves to lie with me, And tune his merry note Unto the sweet bird's throat, Come hither, come hither, come hither: Here shall he see No enemy, But winter and rough weather." But the life of the forest-dwellers was not spent solely in enjoyment of the pleasures of the merry greenwood. They were hunted by men, and became hunters of men. True English hearts theirs, all Englishmen their friends, all Normans their foes, they were in no sense brigands, but defenders of their soil against the foreign foe who had overrun it, the successors of Hereward the Wake, the last of the English to bear arms against the invader, and to keep a shelter in which the English heart might still beat in freedom. No wonder the oppressed peasants and serfs of the fields sang in gleeful strains the deeds of the forest-dwellers; no wonder that Robin Hood became the hero of the people, and that the homely song of the land was full of stories of his deeds. We can scarcely call these historical tales: they are legendary; yet it may well be that a stratum of fact underlies the aftergrowth of romance; certainly they were history to the people, and as such, with a mental reservation, they shall be history to us. We propose, therefore, here to convert into prose "a lytell geste of Robyn Hode.
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