litic are an essential part of the country's
prosperity and the nation's glory, a creature whose endeavors in life
vie in utility with those of men--I admit that all the above theory,
all these long considerations sink into nothingness at the prospect of
such an important destiny!----

But after having squeezed a pound of actualities in order to obtain
one drop of philosophy, having paid sufficient homage to that passion
for the historic, which is so dominant in our time, let us turn our
glance upon the manners of the present period. Let us take the cap and
bells and the coxcomb of which Rabelais once made a sceptre, and let
us pursue the course of this inquiry without giving to one joke more
seriousness than comports with it, and without giving to serious
things the jesting tone which ill befits them.

SECOND PART

MEANS OF DEFENCE, INTERIOR AND EXTERIOR.

"To be or not to be,
That is the question."
--Shakspeare, _Hamlet_.

MEDITATION X.

A TREATISE ON MARITAL POLICY.

When a man reaches the position in which the first part of this book
sets him, we suppose that the idea of his wife being possessed by
another makes his heart beat, and rekindles his passion, either by an
appeal to his _amour propre_, his egotism, or his self-interest, for
unless he is still on his wife's side, he must be one of the lowest of
men and deserves his fate.

In this trying moment it is very difficult for a husband to avoid
making mistakes; for, with regard to most men, the art of ruling a
wife is even less known than that of judiciously choosing one.
However, marital policy consists chiefly in the practical application
of three principles which should be the soul of your conduct. The
first is never to believe what a woman says; the second, always to
look for the spirit without dwelling too much upon the letter of her
actions; and the third, not to forget that a woman is never so
garrulous as when she holds her tongue, and is never working with more
energy than when she keeps quiet.

From the moment that your suspicions are aroused, you ought to be like
a man mounted on a tricky horse, who always watches the ears of the
beast, in fear of being thrown from the saddle.

But art consists not so much in the knowledge of principles, as in the
manner of