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before she had already captured the bull and sent it into her own land. There it was fought by the Findbennach and slew it, rushing back to Ulster with the mangled body on its horns. But in its frenzy a rock seemed to be another bull, which it charged; its brains were dashed out, and it fell dead. The Morrigan had warned the bull of the approach of Medb's army, and she had also appeared in the form of a beautiful woman to Cuchulainn offering him her love, only to be repulsed. Hence she turned against him, and described how she would oppose him as an eel, a wolf, and a red heifer--an incident which is probably a variant of that already described.[460] In each of these shapes she was conquered and wounded by the hero, and knowing that none whom he hurt could be healed save by himself, she appeared to him as an old crone milking a cow. At each draught of the milk which he received from her he blessed her with "the blessing of gods and not-gods," and so her wounds were healed.[461] For this, at a later time, she tried to ward off his death, but unsuccessfully. During the progress of the _Tain_, one of Cuchulainn's "fairy kinsmen," namely, Lug, who announced himself as his father, appeared to aid him, while others of the Tuatha Dea threw "herbs of healing" into the streams in which his wounds were washed.[462] During the _Tain_, Cuchulainn slaughtered the wizard Calatin and his daughters. But Calatin's wife bore three posthumous sons and three daughters, and through their means the hero was at last slain. Everything was done to keep him back from the host which now advanced against Ulster, but finally one of Calatin's daughters took the form of Niamh and bade him go forth. As he passed to the fight, Calatin's daughters persuaded him to eat the flesh of a dog--a fatal deed, for it was one of his _geasa_ never to eat dog's flesh. So it was that in the fight he was slain by Lugaid,[463] and his soul appeared to the thrice fifty queens who had loved him, chanting a mystic song of the coming of Christ and the day of doom--an interesting example of a phantasm coincidental with death.[464] This and other Christian touches show that the Christian redactors of the saga felt tenderly towards the old pagan hero. This is even more marked in the story in which he appears to King Loegaire and S. Patrick, begging the former to believe in God and the saint, and praying Patrick to "bring me with thy faithful ones unto the land of the livi
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