ass the
fine canopied tomb of Bishop Moleynes (1449). In the Early English
chapel at the end, dedicated to St. Panthelon, is the modern tomb of
Bishop Otter (1840). Before entering this chapel note the stone built
into the wall and known as "Maudes Heart." The screens separating the
aisles from the presbytery are made of native Sussex iron.

We now return and cross to the south transept, on the north side of
which is the tomb once supposed to be the shrine of St. Richard de la
Wych, Bishop (1253) but now definitely accepted as that of Bishop
Stratford (1362). This tomb, with several others, was barbarously
"restored" in the last century; near it may be seen the modern brass in
memory of Dean Burgon (1888). The pictures on the west wall are by
Bernhardi and represent Ceadwalla giving Selsey to St. Wilfrid and the
confirmation made by Henry VIII to Bishop Sherborne. Part of the
transept is used as a consistory court. The sacristy is on the west
side and on the east is St. Catherine's Chapel. In the wall of the
aisle, proceeding east, note two slabs which are said to have been
brought from Selsey Cathedral. The subjects are the Raising of Lazarus
and the Saviour meeting Martha and Mary. Note between them the tomb of
Bishop Sherborne (1536); near by is a memorial of Dean Hook (1875) also
the coffin slabs of Bishop Neville (1224) and Bersted (1262).

[Illustration: CHICHESTER PALACE AND CATHEDRAL.]

We now enter the Transitional Retro-choir; here is the altar tomb of
Bishop Story (1503) who built Chichester Market Cross, and of Bishop
Day (1556). The columns of Purbeck marble which grace this part of the
cathedral are of great beauty. The screens of native iron have already
been noticed, they are of simple but effective design.

We pass the terminal chapel of the south aisle, dedicated to St. Mary
Magdalene and restored in memory of Dean Cross, and enter the Chapel of
Our Lady, noting (left) the tombs of Bishops Hilary and Ralph, and
(right) Bishop Seffrid II, the builder of the Early English portions of
the Cathedial. This beautiful chapel was finished in the early
fourteenth century and in the eighteenth was considered unworthy of
repair and handed over to the Duke of Richmond, whose private property
it for a long time became. The floor was raised to allow of a burial
vault being constructed below, and the upper portion became the
library.

The restoration was resolved upon in 1870 as a memorial to Bishop
Gilbert, an