it, with a view to
condensation, in vain. The text received his final corrections in the
year 1832.

Wordsworth's reluctance to publish these portions of his great poem,
'The Recluse', other than 'The Excursion', during his lifetime, was a
matter of surprise to his friends; to whom he, or the ladies of his
household, had read portions of it. In the year 1819, Charles Lamb wrote
to him,

"If, as you say, 'The Waggoner', in some sort, came at my call, oh for
a potent voice to call forth 'The Recluse' from his profound
dormitory, where he sleeps forgetful of his foolish charge--the
world!"

('The Letters of Charles Lamb', edited by Alfred Ainger, vol. ii. p.
26.)

The admission made in the letter of May 1st, 1805, is note-worthy:

"This defect" (of redundancy) "whenever I have suspected it or found
it to exist in any writings of mine, _I have always found incurable.
The fault lies too deep, and is in the first conception_."

The actual result--in the Poem he had at length committed to
writing--was so far inferior to the ideal he had tried to realise, that
he could never be induced to publish it. He spoke of the MS. as forming
a sort of _portico_ to his larger work--the poem on Man, Nature, and
Society--which he meant to call 'The Recluse', and of which one portion
only, _viz._ 'The Excursion', was finished. It is clear that throughout
the composition of 'The Prelude', he felt that he was experimenting with
his powers. He wished to find out whether he could construct "a literary
work that might live," on a larger scale than his Lyrics; and it was on
the writing of a "philosophical poem," dealing with Man and Nature, in
their deepest aspects, that his thoughts had been fixed for many years.
From the letter to Sir George Beaumont, December 25, 1804, it is evident
that he regarded the autobiographical poem as a mere prologue to this
larger work, to which he hoped to turn "with all his might" after 'The
Prelude' was finished, and of which he had already written about a fifth
or a sixth (see 'Memoirs', vol. i. p. 304). This was the part known in
the Grasmere household as "The Pedlar," a title given to it from the
character of the Wanderer, but afterwards happily set aside. He did not
devote himself, however, to the completion of his wider purpose,
immediately after 'The Prelude' was finished. He wrote one book of 'The
Recluse' which he called "Home at Grasmere"; and, though detached from
'The Prelude', it i