to windward of the fleet of merchantmen she is
convoying. The cool laurel groves! Often as one sees that sight, it is
always with a fresh shock of pleasure to the frame.

Then, when autumn comes and the leaves change, there is still endless
variety for the little basket or botanical-case which swings lightly on
your arm or hangs across your shoulder. Owen Jones never devised any
ornaments for wall or niche one half so brilliant as the color of those
leaves which a dexterous hand will readily group upon a sheet of white
paper, where your eye may catch it, as, after achieving a successful
sentence, you look up from your study-table. Speaking of leaves, who
knows how large an oak-loaf will grow in this New England? I have just
sat down after measuring one gathered in a bit of copse hard by the town
of M----, a bit of copse which skirts a beautiful wild ravine, with a
superb hemlock and pine grove creeping down its steep bank. I have just
honestly measured my leaf, and it shows _fourteen_ inches in length by a
trifle of _nine and a half_ in breadth.

In the same ravine I found--and in any patch of woodland you may do the
like--a perfect treasury of mosses. A shallow tin box or a wooden bowl
filled with these and duly watered will give a winter-garden to
the smallest lodging. Sun and light are, as Mr. Toots says, of "no
consequence" to the moss family. But if one be above such trifles as
mosses, and with Young American loftiness aspire to full-grown trees,
there is still plenty to do in the most ordinary woodlands. After a
chapter of Mr. Ruskin upon Claude and Poussin and Turner, there is
nothing like going to the original documents. In default of the National
Gallery from London and the Pitti Palace from the other side of Arno,
which cannot be summoned into court at a moment's notice, we can solve
at least half the problem. Mr. Ruskin may or may not be right about the
Claudes; but it is very easy to see if he be right as to the trees. And
if we prove him right with his theory of branches and bark, we have a
fair presumption that he has eyes to see the alleged falsehoods in him
of Lorraine. Now here is a chance to do a little bit of Art-criticism
quite unexpensively. Discontented young gentlemen murmur about the
education of this people being too practical, unaesthetic, and all that,
and sigh for the culture which a foreign land only can give. But a man
who has no eye for Nature will hardly learn to love her at second-hand