ed work of conquest, possessed sufficient power to set empires in
confusion.

"Has your Eminence recovered from that cold which distressed us so much?"
asked Nani.

"No, no, I still cough. There is a most malignant passage at the offices.
I feel as cold as ice as soon as I leave my room."

From that moment Pierre felt quite little, virtually lost. He was not
even introduced to the Cardinal. And yet he had to remain in the room for
nearly another hour, looking around and observing. That antiquated world
then seemed to him puerile, as though it had lapsed into a mournful
second childhood. Under all the apparent haughtiness and proud reserve he
could divine real timidity, unacknowledged distrust, born of great
ignorance. If the conversation did not become general, it was because
nobody dared to speak out frankly; and what he heard in the corners was
simply so much childish chatter, the petty gossip of the week, the
trivial echoes of sacristies and drawing-rooms. People saw but little of
one another, and the slightest incidents assumed huge proportions. At
last Pierre ended by feeling as though he were transported into some
_salon_ of the time of Charles X, in one of the episcopal cities of the
French provinces. No refreshments were served. Celia's old aunt secured
possession of Cardinal Sarno; but, instead of replying to her, he simply
wagged his head from time to time. Don Vigilio had not opened his mouth
the whole evening. However, a conversation in a very low tone was started
by Nani and Morano, to whom Donna Serafina listened, leaning forward and
expressing her approval by slowly nodding her head. They were doubtless
speaking of the dissolution of Benedetta's marriage, for they glanced at
the young woman gravely from time to time. And in the centre of the
spacious room, in the sleepy glow of the lamps, there was only the young
people, Benedetta, Dario, and Celia who seemed to be at all alive,
chattering in undertones and occasionally repressing a burst of laughter.

All at once Pierre was struck by the great resemblance between Benedetta
and the portrait of Cassia hanging on the wall. Each displayed the same
delicate youth, the same passionate mouth, the same large, unfathomable
eyes, set in the same round, sensible, healthy-looking face. In each
there was certainly the same upright soul, the same heart of flame. Then
a recollection came to Pierre, that of a painting by Guido Reni, the
adorable, candid head of Beatr