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it would be impossible for me to ascertain the respective shares of the two associates. A long and intimate communication of ideas had cast our sentiments and style in the same mould. In our social labours we composed and corrected by turns; and the praise which I might honestly bestow, would fall perhaps on some article or passage most properly my own. A second volume (for the year 1768) was published of these Memoirs. I will presume to say, that their merit was superior to their reputation; but it is not less true, that they were productive of more reputation than emolument. They introduced my friend to the protection, and myself to the acquaintance, of the Earl of Chesterfield, whose age and infirmities secluded him from the world; and of Mr. David Hume, who was under-secretary to the office in which Deyverdun was more humbly employed. The former accepted a dedication,(April 12, 1769,) and reserved the author for the future education of his successor: the latter enriched the Journal with a reply to Mr. Walpole's Historical Doubts, which he afterwards shaped into the form of a note. The materials of the third volume were almost completed, when I recommended Deyverdun as governor to Sir Richard Worsley, a youth, the son of my old Lieutenant-colonel, who was lately deceased. They set forwards on their travels; nor did they return to England till some time after my father's death. My next publication was an accidental sally of love and resentment; of my reverence for modest genius, and my aversion for insolent pedantry. The sixth book of the AEneid is the most pleasing and perfect composition of Latin poetry. The descent of AEneas and the Sibyl to the infernal regions, to the world of spirits, expands an awful and boundless prospect, from the nocturnal gloom of the Cumaean grot, Ibant obscuri sola sub nocte per umbram, to the meridian brightness of the Elysian fields; Largior hic campos aether et lumine vestit Purpureo--- from the dreams of simple Nature, to the dreams, alas! of Egyptian theology, and the philosophy of the Greeks. But the final dismission of the hero through the ivory gate, whence Falsa ad coelum mittunt insomnia manes, seems to dissolve the whole enchantment, and leaves the reader in a state of cold and anxious scepticism. This most lame and impotent conclusion has been variously imputed to the taste or irreligion of Virgil; but, according to the m
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