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should have promptly said that he was, but the truth is, Whitefoot wasn't proud at all. You see, he was so surprised that he hadn't yet had time to feel that they were really his. In fact, just then he felt a wee bit jealous of them. It came over him that they would take all the time and attention of little Mrs. Whitefoot. So Whitefoot didn't answer that question. He simply sat and stared at those four squirming babies. Finally little Mrs. Whitefoot gently pushed him out and followed him. "Of course," said she, "there isn't room for you to stay here now. You will have to sleep in your old home because there isn't room in here for both of us and the babies too." Whitefoot's heart sank. He had thought that he was to stay and that everything would be just as it had been before. "Can't I come over here any more?" he asked rather timidly. "What a foolish question!" cried little Mrs. Whitefoot. "Of course you can. You will have to help take care of these babies. Just as soon as they are big enough, you will have to help teach them how to hunt for food and how to watch out for danger, and all the things that a wise Wood Mouse knows. Why, they couldn't get along without you. Neither could I," she added softly. At that Whitefoot felt better. And suddenly there was a queer swelling in his heart. It was the beginning of pride, pride in those wonderful babies. "You have given me the best surprise that ever was, my dear," said Whitefoot softly. "Now I think I will go and look for some supper." So now we will leave Whitefoot and his family. You see there are two very lively little people of the Green Forest who demand attention and insist on having it. They are Buster Bear's Twins, and this is to be the title of the next book. End of Project Gutenberg's Whitefoot the Wood Mouse, by Thornton W. Burgess *** END OF THIS PROJECT GUTENBERG EBOOK WHITEFOOT THE WOOD MOUSE *** ***** This file should be named 4698.txt or 4698.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/4/6/9/4698/ Produced by Kent Fielden Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Speci
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