l ran a ceaseless paean of thanksgiving for
her timely deliverance from the trammels which she so well knew
enshackled these glittering birds of paradise. With it mingled a
great, consuming desire, a soul-longing to pour into the vacuity of
high society the leaven of her own pure thought. In particular did her
boundless love now go out to that gigantic figure whose ideals of life
this sumptuous display of material wealth and power expressed. Why was
he doing this? What ulterior motive had he? Was it only a vainglorious
exhibition of his own human prowess? Was it an announcement,
magnificent beyond compare, that he, J. Wilton Ames, had attained the
supreme heights of gratified world ambition? That the world at last
lay at his feet? And that over it brooded the giant's lament that
there remained nothing more to conquer? But, if so, the girl at least
knew that the man's herculean efforts to subdue the material world
were as nothing. The real conquest lay still before him, the conquest
of self. And when that were faced and achieved, well she knew that no
such garish display as this would announce the victory to a breathless
world.

The bustling little social secretary again appeared, and briefly
announced the production of an opera in the auditorium, to which she
had come to conduct them. Passing through the little waiting room and
to the elevator, they quickly mounted to the unoccupied gallery of the
theater above. The parquet, which would seat nearly a thousand
spectators, was rapidly filling with an eager, curious throng. The
Ames trio and some of the more distinguished guests were already
occupying the gorgeously decorated boxes at the sides. An orchestra of
fifty pieces was visible in the hollow below the stage. Caroni, the
famous grand opera leader, stood ready to conduct. The opera itself
was the much discussed music drama, Salome.

"Now," commented Haynerd to his fair, wondering companion, who was
lost in contemplation of the magnificent mural decorations of the
little theater, "we will see something rare, for this opera has been
called the most artistic piece of indecency known to the stage. Good
heavens! Ames has got Marie Deschamps for the title role. She'll cost
him not less than five thousand dollars for this one night. And--see
here," drawing Carmen's attention to the bill, "Marcou and Corvalle
besides! The man must be made of money! These stars get three thousand
dollars a night during the regular season."