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aware he had seen them before, had perhaps not "really" looked at them, and had thus not done justice to the embodied poetry--his mind, for Milly's aspects, kept coming back to that--which owed them part of its style. Kate's face, as she considered them, struck him: the long, priceless chain, wound twice round the neck, hung, heavy and pure, down the front of the wearer's breast--so far down that Milly's trick, evidently unconscious, of holding and vaguely fingering and entwining a part of it, conduced presumably to convenience. "She's a dove," Kate went on, "and one somehow doesn't think of doves as bejewelled. Yet they suit her down to the ground." "Yes--down to the ground is the word." Densher saw now how they suited her, but was perhaps still more aware of something intense in his companion's feeling about them. Milly was indeed a dove; this was the figure, though it most applied to her spirit. Yet he knew in a moment that Kate was just now, for reasons hidden from him, exceptionally under the impression of that element of wealth in her which was a power, which was a great power, and which was dove-like only so far as one remembered that doves have wings and wondrous flights, have them as well as tender tints and soft sounds. It even came to him dimly that such wings could in a given case--_had_, truly, in the case with which he was concerned--spread themselves for protection. Hadn't they, for that matter, lately taken an inordinate reach, and weren't Kate and Mrs. Lowder, weren't Susan Shepherd and he, wasn't he in particular, nestling under them to a great increase of immediate ease? All this was a brighter blur in the general light, out of which he heard Kate presently going on. "Pearls have such a magic that they suit every one." "They would uncommonly suit you," he frankly returned. "Oh yes, I see myself!" As she saw herself, suddenly, he saw her--she would have been splendid; and with it he felt more what she was thinking of. Milly's royal ornament had--under pressure now not wholly occult--taken on the character of a symbol of differences, differences of which the vision was actually in Kate's face. It might have been in her face too that, well as she certainly would look in pearls, pearls were exactly what Merton Densher would never be able to give her. Wasn't _that_ the great difference that Milly to-night symbolised? She unconsciously represented to Kate, and Kate took it in at every pore, that
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