c in
honor of Heaven's King. The smaller windows under the roof show the
hierarchy of heaven indicating by music and dances the joy of the
celestial world at the scenes of the Incarnation depicted below. Upon
a bright, sunny day the cathedral is made exquisitely beautiful by
the mellowed radiance of these windows. They were designed and
manufactured by Clayton & Bell, of London, and are esteemed to present
the perfection of their work. Their colors, rich and varied, blend in
perfect harmony, and the intricacy of the groupings makes each one as
interesting as an oil painting.
Six different organs have been built in different parts of the
building. The most important of these is the great organ in the
north apse. It is furnished with four keyboards and 124 stops, with
twenty-four combination stops that admit of more than a million
combinations of sound. On either side of the choir is another organ,
with a fourth of great power in the crypt, a fifth in the tower, and
an echo organ built under the vaulting of the roof. This produces a
soft and weird music. All the organs are operated from the keyboard of
the great apse organ, which also plays the chimes of thirteen bells
in the tower. The choir instruments are made to correspond by means
of iron tubes filled with wind by a bellows engine in the crypt of the
apse. A second engine in the crypt of the tower operates the bellows
that inflate the instruments in the crypt, the tower, and the
vaulting. All the organs and the chimes are connected by electric
wires, about twenty-six miles of which are employed, supplied with
electricity by a motor in the tower engine room. Sublime and grand are
the only terms which can suggest the effect of the volume of harmony
produced by these instruments in united action. They were made by
Hilborne L. Roosevelt, of this city.
The ante-chancel contains the bishop's throne, the dean's seat, and
the stalls of the clergy and canons, all of carved mahogany. A superb
work of art is the altar, in the chancel, which is separated from
the ante-chancel by a heavy bronze railing. The altar is of statuary
marble manufactured by Cox & Sons, of London. Its corner columns are
of black marble, supported by others of flecked marble, with panels
of Sienna and Griote. Between the panels are rich carvings, done
in Antwerp, representing the temptation and fall in Eden; Abraham's
offering of his son Isaac; Moses raising the brazen serpent in the
wilderness; the
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