bbled on over dislocated aspirates, and filled the
air with a sentiment of vagabond enjoyment, of the romantic freedom of
violated convention, of something Gil Blas-like, almost picaresque.
If they had needed explanation it would have been given by the
announcement in the office of the hotel that a troupe of British blondes
was then appearing in Quebec for one week only.
After dinner they took possession of the parlor, and while one strummed
fitfully upon the ailing hotel piano, the rest talked, and talked shop,
of course, as all of us do when several of a trade are got together.
"W'at," said the eldest of the dark-faced, black haired British blondes
of Jewish race,--"w'at are we going to give at Montrehal?"
"We're going to give 'Pygmalion,' at Montrehal," answered the British
blonde of American birth, good-humoredly burlesquing the erring h of her
sister.
"But we cahn't, you know," said the lady with the fringed forehead;
"Hagnes is gone on to New York, and there's nobody to do Wenus."
"Yes, you know," demanded the first speaker, "oo's to do Wenus?
"Bella's to do Wenus," said a third.
There was an outcry at this, and "'Ow ever would she get herself up for
'Venus?" and "W'at a guy she'll look!" and "Nonsense! Bella's too 'eavy
for Venus!" came from different lively critics; and the debate threatened
to become too intimate for the public ear, when one of their gentlemen
came in and said, "Charley don't seem so well this afternoon." On this
the chorus changed its note, and at the proposal, "Poor Charley, let 's
go and cheer 'im hop a bit," the whole good-tempered company trooped out
of the parlor together.
Our tourists meant to give the rest of the afternoon to that sort of
aimless wandering to and fro about the streets which seizes a foreign
city unawares, and best develops its charm of strangeness. So they went
out and took their fill of Quebec with appetites keen through long
fasting from the quaint and old, and only sharpened by Montreal, and
impartially rejoiced in the crooked up-and-down hill streets; the
thoroughly French domestic architecture of a place that thus denied
having been English for a hundred years; the porte-cocheres beside every
house; the French names upon the doors, and the oddity of the bellpulls;
the rough-paved, rattling streets; the shining roofs of tin, and the
universal dormer-windows; the littleness of the private houses, and the
greatness of the high-walled and garden-girdl
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