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bbled on over dislocated aspirates, and filled the air with a sentiment of vagabond enjoyment, of the romantic freedom of violated convention, of something Gil Blas-like, almost picaresque. If they had needed explanation it would have been given by the announcement in the office of the hotel that a troupe of British blondes was then appearing in Quebec for one week only. After dinner they took possession of the parlor, and while one strummed fitfully upon the ailing hotel piano, the rest talked, and talked shop, of course, as all of us do when several of a trade are got together. "W'at," said the eldest of the dark-faced, black haired British blondes of Jewish race,--"w'at are we going to give at Montrehal?" "We're going to give 'Pygmalion,' at Montrehal," answered the British blonde of American birth, good-humoredly burlesquing the erring h of her sister. "But we cahn't, you know," said the lady with the fringed forehead; "Hagnes is gone on to New York, and there's nobody to do Wenus." "Yes, you know," demanded the first speaker, "oo's to do Wenus? "Bella's to do Wenus," said a third. There was an outcry at this, and "'Ow ever would she get herself up for 'Venus?" and "W'at a guy she'll look!" and "Nonsense! Bella's too 'eavy for Venus!" came from different lively critics; and the debate threatened to become too intimate for the public ear, when one of their gentlemen came in and said, "Charley don't seem so well this afternoon." On this the chorus changed its note, and at the proposal, "Poor Charley, let 's go and cheer 'im hop a bit," the whole good-tempered company trooped out of the parlor together. Our tourists meant to give the rest of the afternoon to that sort of aimless wandering to and fro about the streets which seizes a foreign city unawares, and best develops its charm of strangeness. So they went out and took their fill of Quebec with appetites keen through long fasting from the quaint and old, and only sharpened by Montreal, and impartially rejoiced in the crooked up-and-down hill streets; the thoroughly French domestic architecture of a place that thus denied having been English for a hundred years; the porte-cocheres beside every house; the French names upon the doors, and the oddity of the bellpulls; the rough-paved, rattling streets; the shining roofs of tin, and the universal dormer-windows; the littleness of the private houses, and the greatness of the high-walled and garden-girdl
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