ome sort of a new illustrated
magazine, and they've got me in for their art department. I'm not fit for
it; I'd like to run away. Don't you want to advise me a little, Mrs.
Leighton? You know how much I value your taste, and I'd like to have you
look at the design for the cover of the first number: they're going to
have a different one for every number. I don't know whether you'll agree
with me, but I think this is rather nice."

He faced the dummy round, and then laid it on the table before Mrs.
Leighton, pushing some of her work aside to make room for it and standing
over her while she bent forward to look at it.

Alma kept her place, away from the table.

"Mah goodness! Ho' exciting!" said Miss Woodburn. "May anybody look?"

"Everybody," said Beaton.

"Well, isn't it perfectly choming!" Miss Woodburn exclaimed. "Come and
look at this, Miss Leighton," she called to Alma, who reluctantly
approached.

"What lines are these?" Mrs. Leighton asked, pointing to Beaton's pencil
scratches.

"They're suggestions of modifications," he replied.

"I don't think they improve it much. What do you think, Alma?"

"Oh, I don't know," said the girl, constraining her voice to an effect of
indifference and glancing carelessly down at the sketch. "The design
might be improved; but I don't think those suggestions would do it."

"They're mine," said Beaton, fixing his eyes upon her with a beautiful
sad dreaminess that he knew he could put into them; he spoke with a
dreamy remoteness of tone--his wind-harp stop, Wetmore called it.

"I supposed so," said Alma, calmly.

"Oh, mah goodness!" cried Miss Woodburn. "Is that the way you awtusts
talk to each othah? Well, Ah'm glad Ah'm not an awtust--unless I could do
all the talking."

"Artists cannot tell a fib," Alma said, "or even act one," and she
laughed in Beaton's upturned face.

He did not unbend his dreamy gaze. "You're quite right. The suggestions
are stupid."

Alma turned to Miss Woodburn: "You hear? Even when we speak of our own
work."

"Ah nevah hoad anything lahke it!"

"And the design itself?" Beaton persisted.

"Oh, I'm not an art editor," Alma answered, with a laugh of exultant
evasion.

A tall, dark, grave-looking man of fifty, with a swarthy face and
iron-gray mustache and imperial and goatee, entered the room. Beaton knew
the type; he had been through Virginia sketching for one of the
illustrated papers, and he had seen such men in Richmond. Miss Woodburn