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f your spirit is not right, the slipper may not fit. * * * In the course of a long study of detective fiction I have never met any sleuths with a gift of loquacity like that of _Messrs. Corson_ and _Gibbs_, who during the first part of _In the Onyx Lobby_ (HODDER AND STOUGHTON) make futile efforts to trace the murderer of _Sir Herbert Binney_, proprietor of Binney's Buns. _Sir Herbert_ had gone to New York to persuade his nephew to become the manager of an American branch of a Binney Bun factory, and, on returning late at night to his apartment-house, was stabbed to death. Fortunately Miss CAROLYN WELLS seems to have grown as tired of them as I did, and they give way to one _Pennington Wise_ (whose name did not prepossess me in his favour) and his assistant, _Zizi_. This couple have the authentic sleuth-touch, and their detection of those implicated in the murder is a very ingenious piece of work. There is so much padding in this book that if _Sir Herbert_ had worn a tithe of it no stabber could even have scratched him; but with judicious skipping it will wile away two or three idle hours. And, as I said, the solution is a really skilful piece of work. * * * * * [Illustration: "I 'EAR SHE'S 'AD A LEGACY O' TWENTY POUNDS LEFT 'ER." "YES, SHE 'AS. BUT ONE GOOD THING ABOUT 'ER IS, 'ER WEALTH AIN'T SPOILT 'ER."] * * * * * Extract from an account of the unveiling of the portrait of Mr. ----, M.P.:-- "It was a happy idea to unveil the portrait in a darkened room." _Local Paper._ But after the LEVERHULME-JOHN episode we ought to have been told whose was the happy idea, the artist's or the sitter's? End of the Project Gutenberg EBook of Punch, or the London Charivari, Volume 159, November 24, 1920, by Various *** END OF THIS PROJECT GUTENBERG EBOOK PUNCH *** ***** This file should be named 20392.txt or 20392.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/0/3/9/20392/ Produced by gvb, Jonathan Ingram and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United
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