turnes_, the _A-flat Ballade_,
the _G minor Ballade_, the _B-flat minor Scherzo_, the _Funeral March_,
the two _G-flat Etudes_, or, let us add, the _C minor_, the _F minor_
and _C-sharp minor studies_, the _G major_ and _D-flat preludes_, the
_A-flat Polonaise_--or, worse still, the _A major_ and _C-sharp minor
Polonaises_--the _B minor_, _B-flat major Mazurkas_, the _A-flat_ and
_C-sharp minor Impromptus_, and last, though not least, the
_Berceuse_--why, I insist, should this group be selected to the
exclusion of the rest? for, all told, there is still as good Chopin in
the list as ever came out of it.
I know we hear and read much about the "Heroic Chopin", and the "New
Chopin"--forsooth!--and "Chopin the Conqueror"; also how to make up a
Chopin program--which latter inevitably recalls to my mind the old
_crux_: how to be happy though hungry. [Some forms of this conundrum lug
in matrimony, a useless intrusion.] How to present a program of Chopin's
_neglected_ masterpieces might furnish matter for afternoon lectures now
devoted to such negligible musical _debris_ as Parsifal's neckties and
the chewing gum of the flower maidens.
As a matter of fact, the critics are not to blame. I have read the
expostulations of Mr. Finck about the untilled fields of Chopin. Yet his
favorite Paderewski plays season in and season out a selection from the
scheme I have just given, with possibly a few additions. The most
versatile--and--also delightful--Chopinist is Pachmann. From his very
first afternoon recital at old Chickering Hall, New York, in 1890, he
gave a taste of the unfamiliar Chopin. Joseffy, thrice wonderful wizard,
who has attained to the height of a true philosophic Parnassus--he only
plays for himself, O wise Son of Light!--also gives at long intervals
fleeting visions of the unknown Chopin. To Pachmann belongs the honor of
persistently bringing forward to our notice such gems as the _Allegro de
Concert_, many new mazurkas, the _F minor_, _F major_--_A minor
Ballades_, the _F-sharp_ and _G-flat Impromptus_, the _B minor Sonata_,
certain of the _Valses_, _Fantasies_, _Krakowiaks_, _Preludes_,
_Studies_ and _Polonaises_--to mention a few. And his pioneer work may
be easily followed by a dozen other lists, all new to concert-goers, all
equally interesting. Chopin still remains a sealed book to the world,
notwithstanding the ink spilled over his name every other minute of the
clock's busy traffic with Eternity.
A fair moi
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