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remains arrived from Welbeck at Harcourt House, to be entombed in the family vault of the Bentincks, that is to be found in a small building in a dingy street, now a chapel of ease, but in old days the parish church among the fields of the pretty village of Marylebone. The day of interment was dark, and cold, and drizzling. Although the last offices were performed in the most scrupulously private manner, the feelings of the community could not be repressed. From nine till eleven o'clock that day all the British shipping in the docks and the river, from London Bridge to Gravesend, hoisted their flags half-mast high, and minute guns were fired from appointed stations along the Thames. The same mournful ceremony was observed in all the ports of England and Ireland; and not only in these, for the flag was half-mast high on every British ship at Antwerp, at Rotterdam, and at Havre. Ere the last minute gun sounded, all was over. Followed to his tomb by those brothers who, if not consoled, might at this moment be sustained by the remembrance that to him they had ever been brothers not only in name but in spirit, the vault at length closed on the mortal remains of _George Bentinck_. One who stood by his side in an arduous and unequal struggle, who often shared his councils and sometimes perhaps soothed his cares, who knew well the greatness of his nature and esteemed his friendship among the chief of worldly blessings, has stepped aside from the strife and passion of public life to draw up this record of his deeds and thoughts, that those who come after us may form some conception of his character and career, and trace in these faithful though imperfect pages the portraiture of an _English Worthy_. End of Project Gutenberg's Lord George Bentinck, by Benjamin Disraeli *** END OF THIS PROJECT GUTENBERG EBOOK LORD GEORGE BENTINCK *** ***** This file should be named 20007.txt or 20007.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/0/0/0/20007/ Produced by David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Te
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