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d him for his clumsiness. He cherished a mad desire to return to Van Derwater's rooms and force an apology by violence. He had expected criticism, reproach, even abuse; but that any man should brand him treasonous! . . . He spat into the gutter, and a sound that was almost a snarl escaped from his throat. He stopped, irresolute, and the wound in his head burst into a violent pain. He leaned against a post until the agony had passed, and once more he made for Broadway. At the sight of his face glowing-red with passion, girls tittered and men drew aside. Crossing the road, he stood to let a street-car pass, its covered wheels giving an odd resemblance to an armoured car, when an extra burst of light made him look up. It was the gum advertisement again. CHAPTER XXI. A NIGHT IN JANUARY. I. Next morning, when Selwyn left his hotel, a few desultory snowflakes were falling through the air, and moistly expiring on the asphalt pavements. It lacked a few minutes of nine, and the thousands who man the machinery of New York's business were hurrying to their appointed places. People who had to catch trains were hurrying to stations; and people who had nowhere to go were hurrying still faster. Taxi-cabs were rushing people across the city; and other taxi-cabs were rushing them back again. The overhead railway was rattling and roaring its noisy way; the surface cars were clattering and clanging through the traffic; and every half-minute the subways were belching up cargoes of toilers into the open air. New York was in a hurry. All night the great engine of a million parts had lain idle, but morning was the signal that every wheel must leap into action again, driven by the inexhaustible army of human souls. Hurry, noise, clamour, greed, fever, progress. . . . Another day had dawned! Crossing Broadway to reach Fourth Avenue, Selwyn could not repress a smile at the stricken glory of the great Midway. The illuminated signs that had searched the secret crevices of the mind, and had aided the iridescent foam seen from the harbour, looked tawdry and vulgar, like a circus on a rainy morning. Even the theatres, with their sign-borne superlatives, were garish and illusion-shattering. There was almost an apologetic air about the bill-boards proclaiming their nightly offering to be the 'biggest ever.' Selwyn began to resent that word 'biggest.' One of the sad things about America is that she starte
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