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age, so far as he was able to understand them. That he was for a time the dupe of adventurers and alchemists, such as the half-visionary John Dee and the altogether unscrupulous Edward Kelley, was no unusual experience in those days, when the dividing line between true science and charlatanism was too indistinctly marked to be easily discernible. The greatest of all the sovereigns of Shakespeare's time was Henry IV of France, unquestionably the greatest of French kings, despite the fact that the primacy has often been accorded to the Roi Soleil, Louis XIV. The powerful and ductile personality that was able to put an end to the destructive religious wars of France and to lay a firm foundation for the strongly-centralized power of a later time, a foundation which the great statesman Richelieu broadened and deepened, deserves all the credit that should be given to those who conquer the first apparently insurmountable difficulties in the realization of a great aim. How brief was the reign of most of the popes of this time is shown by the fact that no less than ten of them were at one time or other Shakespeare's contemporaries, although the duration of his life was but fifty-two years. Of these probably the most noteworthy was Gregory XIII (1572-1585), in whose reign occurred the fearful Massacre of St. Bartholomew, August 24, 1572, and the reform of the calendar from that known as the Julian to the new style named the Gregorian Calendar in honor of this pope. In the East, just coming into closer commercial intercourse with Europe, the long reign of the greatest of the Mogul emperors, Jelal-ed-din Akbar (1556-1605), began two years before the accession of Elizabeth and lasted two years after her death. Probably no Oriental sovereign, certainly no Indian sovereign, ranks higher than Akbar, who was at once a great statesman, an able organizer, and singularly tolerant in religion. In Persia, one of the most marked rulers of this land, Abbas the Great, began to reign in 1584 and died in 1628. In no period was jewelry worn more ornately, or with greater display, we might almost say ostentation, than in the age of Shakespeare. As a rule, in this period the precious stones were less considered than the elaborate goldsmith work in which they were placed. They were the adjuncts, rather than the principal glory of the jewel. The court jeweller of James VI of Scotland and of this monarch after his accession to the English th
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