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the world from day to day, but the poet makes it spiritual, significant, interesting, worth living in. The modern child passes through the same stages as did the children of four thousand years ago. He, too, is a poet. He believes that the world about him throbs with life and is peopled with all manner of strange, beautiful, powerful folk, who live just outside the range of his sight; he, too, personifies light and heat and storm and wind and cold as his remote ancestors did. He, too, lives in and through his imagination; and if, in later life, he grows in power and becomes a creative man, his achievements are the fruits of the free and vigorous life of his imagination. The higher kinds of power, the higher opportunities of mind, the richer resources, the springs of the deeper happiness, are open to him in the exact degree in which he is able to use his imagination with individual freedom and intelligence. Formal education makes small provision for this great need of his nature; it trains his eye, his hand, his faculty of observation, his ability to reason, his capacity for resolute action; but it takes little account of that higher faculty which, cooperating with the other faculties, makes him an architect instead of a builder, an artist instead of an artisan, a poet instead of a drudge. The fairy tale belongs to the child and ought always to be within his reach, not only because it is his special literary form and his nature craves it, but because it is one of the most vital of the textbooks offered to him in the school of life. In ultimate importance it outranks the arithmetic, the grammar, the geography, the manuals of science; for without the aid of the imagination none of these books is really comprehensible. HAMILTON WRIGHT MABIE, March, 1905. FAIRY TALES CONTENTS INTRODUCTION ONE EYE, TWO EYES, THREE EYES (Grimm's Fairy Tales) THE MAGIC MIRROR (Grimm's Fairy Tales) THE ENCHANTED STAG (Grimm's Fairy Tales) HANSEL AND GRETHEL (Grimm's Fairy Tales) THE STORY OF ALADDIN; OR, THE WONDERFUL LAMP ("Arabian Nights' Entertainments") THE HISTORY OF ALI BABA, AND OF THE FORTY ROBBERS KILLED BY ONE SLAVE ("Arabian Nights' Entertainments") THE SECOND VOYAGE OF SINDBAD THE SAILOR ("Arabian Nights' Entertainments") THE WHITE CAT (From the tale by the Comtesse d'Aulnoy) THE GOLDEN GOOSE (Grimm's Fairy Tales) THE TWELVE BROTHERS (Grimm's Fairy Tales) THE FAIR ONE WI
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