FREE BOOKS

Author's List




PREV.   NEXT  
|<   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   191   192   193   194  
195   196   197   198   199   200   201   202   203   204   205   206   207   208   209   210   211   212   213   214   215   216   217   218   219   >>   >|  
r she considered very deeply. But that he was embodying and creating something of the existence of which neither he nor she had been aware a month ago, was awaking something within them that had never before stirred or given sign of life. Since the last section of the mural decoration for the new court house had been shipped to its destination, he had busied himself on two canvases, a portrait of his sister in furs, and the portrait of Valerie. Lily Collis came in the mornings twice a week to sit for her; and once or twice Stephanie Swift came with her; also Sandy Cameron, ruddy, bald, jovial, scoffing, and insatiably curious. "Where do you keep all those pretty models, Louis?" he demanded, prying aside the tapestry with the crook of his walking stick, and peeping behind furniture and hangings and big piles of canvases. "Be a sport and introduce us; Stephanie wants to see a few as well as I do." Neville shrugged and went on painting, which exasperated Cameron. "It's a fraud," he observed, in a loud, confidential aside to Stephanie; "this studio ought to be full of young men in velvet coats and bunchy ties, singing, 'Oh la--la!' and dextrously balancing on their baggy knees a series of assorted soubrettes. It's a bluff, a hoax, a con game! Are you going to stand for it? I don't see any absinthe either--or even any Vin ordinaire! Only a tea-pot--a _tea-pot!_" he repeated in unutterable scorn. "Why, there's more of Bohemia in a Broad Street Trust Company than there is in this Pullman car studio!" Mrs. Collis was laughing so that her brother had difficulty in going on with her portrait. "Get out of here, Sandy," he said--"or take Stephanie into the rest of the apartment, somewhere, and tell her your woes." Stephanie, who had been exploring, turning over piles of chassis and investigating canvases and charcoal studies stacked up here and there against the wainscot, pulled aside an easel which impeded her progress, and in so doing accidentally turned the canvas affixed to it toward the light. "Hello!" exclaimed Cameron briskly, "who is this?" Lily turned her small, aristocratic head, and Stephanie looked around. "What a perfectly beautiful girl!" she exclaimed impulsively; "who is she, Louis?" "A model," he said calmly; but the careless and casual exposure of the canvas had angered him so suddenly that his own swift emotion astonished him. Lily had risen from her seat, and now stood looking fixedl
PREV.   NEXT  
|<   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   191   192   193   194  
195   196   197   198   199   200   201   202   203   204   205   206   207   208   209   210   211   212   213   214   215   216   217   218   219   >>   >|  



Top keywords:

Stephanie

 

canvases

 

Cameron

 

portrait

 
canvas
 

Collis

 

turned

 
studio
 

exclaimed

 
Company

emotion

 
astonished
 

Bohemia

 

Street

 
suddenly
 

brother

 

difficulty

 

exposure

 

angered

 

laughing


Pullman

 

absinthe

 

fixedl

 
unutterable
 

repeated

 

ordinaire

 
casual
 

perfectly

 

impeded

 

wainscot


pulled

 

beautiful

 

progress

 

briskly

 
affixed
 

aristocratic

 
looked
 

accidentally

 

stacked

 
calmly

apartment

 

impulsively

 
charcoal
 

studies

 
investigating
 

chassis

 
exploring
 
turning
 

careless

 
sister