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Boston Museum of Fine Arts. 13. _The Milkmaid_, painted in 1871 from a sketch made in Greville. Seen in Millet's studio in 1873 by Will Low, the American artist. 14. _The Woman Churning_, one of several versions of the subject, the first of which appeared in 1870. 15. _The Man with the Hoe_, painted in 1862 and exhibited at the Salon of 1863. Sold to a Belgian collector, and long in Brussels. It is now owned by Mr. W.S. Crocker of San Francisco, Cal. [Footnote 1: See D.C. Thomson's _Barbizon School_, pp. 226, 227.] [Footnote 2: See Julia Cartwright, _Life and Letters of Jean Francois Millet_, pp. 114,115.] [Footnote 3: This is one of an interesting collection of drawings in this museum, which also contains several original paintings by Millet, a Shepherdess, seated, a portrait of the painter, and others. Other fine Millets are in the private collections of Boston, where the painter received early appreciation, owing to the enthusiasm of William Morris Hunt, the painter, and such connoisseurs as Mr. Quincy Shaw and Mr. Brimmer.] IV. OUTLINE TABLE OF THE PRINCIPAL EVENTS IN MILLET'S LIFE 1814. Millet born, October 4, in hamlet of Gruchy, commune of Greville, in the old province of Normandy, France. 1832. Two months' study with Mouchel in Cherbourg. Death of Millet's father. Study with Langlois in Cherbourg. 1837. Removal to Paris, supported by annuity of 400 francs from the municipality of Cherbourg.[1] 1837-1839 (?). Studies with Delaroche.[2] 1840. A portrait of M.L.F. exhibited at Salon of the Louvre. 1841. Portrait of Mademoiselle Antoinette Feuardent. Marriage with Mademoiselle Pauline Virginie Ono in Cherbourg. 1842. Returned to Paris. 1844. Millet exhibited at Salon: the Milkmaid, the Riding Lesson. Death of Millet's wife, April 21, and Millet's return home for 18 months. 1845. Marriage with Catherine Lemaire late in summer, in Greville. Visit in Havre in November. Arrival in Paris in December, and residence in the rue Rochehouart. 1847. Oedipus taken from the Tree exhibited at the Salon. 1848. Millet exhibited at the Salon the Winnower, bought by M. Ledru-Rollin for 500 francs, and the Captivity of the Jews in Babylon. 1849. Removal to Barbizon. 1850. The Sower painted and exhibited at the Salon with the Sheaf Binders. 1851
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