n expected, we
agreed neither in temperament nor in method, if indeed the mainly
self-taught way in which I worked and thought could be called method.
He met me with a carriage at Culoz, to give and enjoy my first
impressions of the distant Alps, and for the ten days we stopped at
Geneva I stayed with him at the Hotel des Bergues. We climbed the
Saleve, and I saw what gave me more pleasure, I confess, than the
distant view of Mont Blanc, which he expected me to be enthusiastic
over,--the soldanella and gentians. The great accidents of
nature,--Niagara and the high Alps,--though they awe me, have always
left me cold; and all that summer I should have been more fruitfully
employed in some nook of English scenery, where nature went
undisturbed by catastrophes and cataclysms.
Our first sketching excursion was to the Perte du Rhone, and, while
Ruskin was drawing some mountain forms beyond the river, he asked me
to draw some huts near by,--not picturesque cottages, thatched roofs
and lichen-stained walls, but shanties, such as the Irish laborers on
our railways build by the roadside, of deal boards on end, irregular
and careless without being picturesque, and too closely associated
with pigsty construction, in my mind, to be worth drawing. When Ruskin
came back I had made a careless and slipshod five minutes' sketch, not
worth the paper it was on, as to me were not the originals. Ruskin was
angry, and he had a right to be; for at least I should have found it
enough that he wanted it done, to make me do my best on it, but I
did not think of it in that light. We drove back towards Geneva in
silence,--he moody and I sullen,--and halfway there he broke out,
saying that the fact that he wanted the drawing done ought to have
been enough to make me do it. I replied that I could see no interest
in the subject, which to me only suggested fever and discomfort, and
wretched habitations for human beings. We relapsed into silence, and
for another mile nothing was said, when Ruskin broke out with, "You
were right, Stillman, about those cottages; your way of looking at
them was nobler than mine, and now, for the first time in my life, I
understand how anybody can live in America."
We went to Bonneville to hunt out the point of view of a Turner
drawing which Ruskin liked, but, needless to say, though we ransacked
the neighborhood for views, we never found Turner's; and then we went
on to St. Martin, the little village opposite Sallanch
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