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n expected, we agreed neither in temperament nor in method, if indeed the mainly self-taught way in which I worked and thought could be called method. He met me with a carriage at Culoz, to give and enjoy my first impressions of the distant Alps, and for the ten days we stopped at Geneva I stayed with him at the Hotel des Bergues. We climbed the Saleve, and I saw what gave me more pleasure, I confess, than the distant view of Mont Blanc, which he expected me to be enthusiastic over,--the soldanella and gentians. The great accidents of nature,--Niagara and the high Alps,--though they awe me, have always left me cold; and all that summer I should have been more fruitfully employed in some nook of English scenery, where nature went undisturbed by catastrophes and cataclysms. Our first sketching excursion was to the Perte du Rhone, and, while Ruskin was drawing some mountain forms beyond the river, he asked me to draw some huts near by,--not picturesque cottages, thatched roofs and lichen-stained walls, but shanties, such as the Irish laborers on our railways build by the roadside, of deal boards on end, irregular and careless without being picturesque, and too closely associated with pigsty construction, in my mind, to be worth drawing. When Ruskin came back I had made a careless and slipshod five minutes' sketch, not worth the paper it was on, as to me were not the originals. Ruskin was angry, and he had a right to be; for at least I should have found it enough that he wanted it done, to make me do my best on it, but I did not think of it in that light. We drove back towards Geneva in silence,--he moody and I sullen,--and halfway there he broke out, saying that the fact that he wanted the drawing done ought to have been enough to make me do it. I replied that I could see no interest in the subject, which to me only suggested fever and discomfort, and wretched habitations for human beings. We relapsed into silence, and for another mile nothing was said, when Ruskin broke out with, "You were right, Stillman, about those cottages; your way of looking at them was nobler than mine, and now, for the first time in my life, I understand how anybody can live in America." We went to Bonneville to hunt out the point of view of a Turner drawing which Ruskin liked, but, needless to say, though we ransacked the neighborhood for views, we never found Turner's; and then we went on to St. Martin, the little village opposite Sallanch
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