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ortant point! I will not stay here to see you finish that study." And the next day we packed up and left for Geneva. At Lausanne I made some careful architectural drawings, which he praised,--some pencil sketches on the lake; and then we drove across country to Freiburg, and finally to Neuchatel, where I found a magnificent subject in the view from the hill behind the city, looking over the lake towards the Alps, with Mont Blanc and the Bernese Alps in the extreme distance. In the near distance rise the castle and its old church, which Ruskin drew for me in pencil with exquisite refinement of detail, for in this kind of drawing he was most admirable. As we should stay only a few days, I could not paint anything, and spent all my time, working nine hours a day, hard, on the one subject in pencil. We still spent our evenings till late in discussions and arguments, with a little chess, rarely going to bed before midnight; and the steady strain, with my anxiety to lose none of my time and opportunities, finally told on my eyes. One day, while working hard on the view of Neuchatel, I felt something snap behind my eyes, and in a few minutes I could no longer see my drawing; the slightest attempt to fix my vision on anything caused such indistinctness that I could see neither my work nor the landscape, and I was obliged to suspend work altogether. In a few days we went to Basle, and, after a rest, my vision came back partially, and we went to Laufenburg, where Turner had found the subject for one of his Liber Studiorum engravings. Here the subjects were entirely after my feeling, and, as my eyes had ceased to trouble me, I set to work on a large drawing of the town and fall from below. In the midst of it the snapping behind my eyes came back, worse than ever, and that time not to leave me for a long time. It was followed by an incessant headache, which made life a burden, with obstinate indigestion. Here Ruskin suddenly found that he must go back to England, and I returned with him as far as Geneva, and thence went to St. Martin, where I spent the rest of the autumn, as helpless for all work as a blind man. My summer with Ruskin, to which I had looked for so much profit to my art, had ended in a catastrophe of which I did not then even measure the extent. It was nearly two years before I recovered from the attack at Neuchatel enough to work regularly, and these circumstances threw me still further from my chosen career. Mor
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