FREE BOOKS

Author's List




PREV.   NEXT  
|<   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   72  
73   74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   >>   >|  
r the sledges with the bells-- Silver bells! What a world of merriment their melody foretells! How they tinkle, tinkle, tinkle, In the icy air of night! While the stars that oversprinkle All the heaven, seem to twinkle With a crystalline delight; Keeping time, time, time, In a sort of Runic rhyme To the tintinnabulation that so musically wells From the bells, bells, bells, bells, Bells, bells, bells,-- From the jingling and the tinkling of the bells. Mrs. Shaw then wrote the words, "The heavy iron bells." Poe immediately completed the stanza which now reads: Hear the tolling of the bells,-- Iron bells! What a world of solemn thought their monody compels! In the silence of the night, How we shiver with affright At the melancholy menace of their tone! For every sound that floats From the rust within their throats Is a groan. And the people--ah, the people-- They that dwell up in the steeple, All alone, And who tolling, tolling, tolling, In that muffled monotone, Feel a glory in so rolling On the human heart a stone! They are neither man nor woman,-- They are neither brute nor human,-- They are Ghouls; And their king it is who tolls,-- And he rolls, rolls, rolls, Rolls a paean from the bells! And his merry bosom swells With the paean of the bells! And he dances, and he yells, Keeping time, time, time, In a sort of Runic rhyme, To the paean of the bells, Of the bells. The other stanzas were written afterward. There is music in these words; but do not think that the music is all. Underneath is the deep harmony of human suggestion, as in the lines, Feel a glory in so rolling On the human heart a stone. Now let us see if we can represent by musical notes the meter in which this poem is written. We must remember that a punctuation mark at the end of a line often makes a complete pause, which is represented in music by a rest. In music a rest has the same effect in completing a bar as the corresponding note. Here are the first two lines: [Illustration: (music) Hear the sledg-es with the bells, Sil-ver bells!] In the two following lines the commas in the middle of the line stand for rests, li
PREV.   NEXT  
|<   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   72  
73   74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   >>   >|  



Top keywords:
tolling
 

tinkle

 

rolling

 

people

 
written
 
Keeping
 

dances

 
Underneath
 

suggestion

 

harmony


swells

 

afterward

 
stanzas
 

remember

 
Illustration
 
effect
 

completing

 

middle

 
commas
 

represented


musical

 

represent

 

complete

 
punctuation
 

muffled

 
tinkling
 

jingling

 

musically

 

stanza

 

completed


immediately

 

tintinnabulation

 
delight
 

foretells

 

melody

 

merriment

 
sledges
 
Silver
 

twinkle

 

crystalline


heaven

 

oversprinkle

 

solemn

 

monotone

 
steeple
 

Ghouls

 
throats
 

shiver

 
affright
 

silence