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t came about that an invitation was sent to Mrs. James Dawson, Auburn, Alberta, and in due time an acceptance was received. From the time she alighted from the Pacific Express, a slight young woman in a very smart linen suit, she was a constant surprise to the Arts and Crafts. The principal cause of their surprise was that she seemed perfectly happy. There was not a shadow of regret in her clear grey eyes, nor any trace of drooping melancholy in her quick, business- like walk. Naturally the Arts and Crafts had made quite a feature of the Alberta author and poet who would attend the Convention. Several of the enthusiastic members, anxious to advertise effectively, had interviewed the newspaper reporters on the subject, with the result that long articles were published in the Woman's Section of the city dailies, dealing principally with the loneliness of the life on an Alberta ranch. Kate Dawson was credited with an heroic spirit that would have made her blush had she seen the flattering allusions. Robinson Crusoe on his lonely isle, before the advent of Friday, was not more isolated than she on her lonely Alberta ranch, according to the advance notices. Luckily she had not seen any of these, nor ever dreamed she was the centre of so much attention, and so it was a very self-possessed and unconscious young woman in a simple white gown who came before the Arts and Crafts. It was the first open night of the Convention, and the auditorium was crowded. The air was heavy with the perfume of many flowers, and pulsed with dreamy music. Mrs. Trenton, in billows of black lace and glinting jet, presided with her usual graciousness. She introduced Mrs. Dawson briefly. Whatever the attitude of the audience was at first, they soon followed her with eager interest as she told them, in her easy way, simple stories of the people she knew so well and so lovingly understood. There was no art in the telling, only a sweet naturalness and an apparent honesty--the honesty of purpose that comes to people in lonely places. Her stories were all of the class that magazine editors call "homely, heart-interest stuff," not deep or clever or problematical-- the commonplace doings of common people--but it found an entrance into the hearts of men and women. They found themselves looking with her at broad sunlit spaces, where struggling hearts work out noble destinies, without any thought of heroism. They saw the moonlight and its drifting sha
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