t came about that an invitation was sent to Mrs. James Dawson,
Auburn, Alberta, and in due time an acceptance was received.
From the time she alighted from the Pacific Express, a slight young
woman in a very smart linen suit, she was a constant surprise to the
Arts and Crafts. The principal cause of their surprise was that she
seemed perfectly happy. There was not a shadow of regret in her clear
grey eyes, nor any trace of drooping melancholy in her quick, business-
like walk.
Naturally the Arts and Crafts had made quite a feature of the Alberta
author and poet who would attend the Convention. Several of the
enthusiastic members, anxious to advertise effectively, had interviewed
the newspaper reporters on the subject, with the result that long
articles were published in the Woman's Section of the city dailies,
dealing principally with the loneliness of the life on an Alberta
ranch. Kate Dawson was credited with an heroic spirit that would have
made her blush had she seen the flattering allusions. Robinson Crusoe
on his lonely isle, before the advent of Friday, was not more isolated
than she on her lonely Alberta ranch, according to the advance notices.
Luckily she had not seen any of these, nor ever dreamed she was the
centre of so much attention, and so it was a very self-possessed and
unconscious young woman in a simple white gown who came before the Arts
and Crafts.
It was the first open night of the Convention, and the auditorium was
crowded. The air was heavy with the perfume of many flowers, and pulsed
with dreamy music. Mrs. Trenton, in billows of black lace and glinting
jet, presided with her usual graciousness. She introduced Mrs. Dawson
briefly.
Whatever the attitude of the audience was at first, they soon followed
her with eager interest as she told them, in her easy way, simple
stories of the people she knew so well and so lovingly understood.
There was no art in the telling, only a sweet naturalness and an
apparent honesty--the honesty of purpose that comes to people in lonely
places. Her stories were all of the class that magazine editors call
"homely, heart-interest stuff," not deep or clever or problematical--
the commonplace doings of common people--but it found an entrance into
the hearts of men and women.
They found themselves looking with her at broad sunlit spaces, where
struggling hearts work out noble destinies, without any thought of
heroism. They saw the moonlight and its drifting sha
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