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ybreak from the dance, as he had done sometimes on former occasions, after a fete at the Prado, or a ball at the Odeon, splashing his silk stockings thereby, and ruining his pumps. It so happened that Christophe took a look into the street before drawing the bolts of the door; and Rastignac, coming in at that moment, could go up to his room without making any noise, followed by Christophe, who made a great deal. Eugene exchanged his dress suit for a shabby overcoat and slippers, kindled a fire with some blocks of patent fuel, and prepared for his night's work in such a sort that the faint sounds he made were drowned by Christophe's heavy tramp on the stairs. Eugene sat absorbed in thought for a few moments before plunging into his law books. He had just become aware of the fact that the Vicomtesse de Beauseant was one of the queens of fashion, that her house was thought to be the pleasantest in the Faubourg Saint-Germain. And not only so, she was, by right of her fortune, and the name she bore, one of the most conspicuous figures in that aristocratic world. Thanks to the aunt, thanks to Mme. de Marcillac's letter of introduction, the poor student had been kindly received in that house before he knew the extent of the favor thus shown to him. It was almost like a patent of nobility to be admitted to those gilded salons; he had appeared in the most exclusive circle in Paris, and now all doors were open for him. Eugene had been dazzled at first by the brilliant assembly, and had scarcely exchanged a few words with the Vicomtesse; he had been content to single out a goddess among this throng of Parisian divinities, one of those women who are sure to attract a young man's fancy. The Comtesse Anastasie de Restaud was tall and gracefully made; she had one of the prettiest figures in Paris. Imagine a pair of great dark eyes, a magnificently moulded hand, a shapely foot. There was a fiery energy in her movements; the Marquis de Ronquerolles had called her "a thoroughbred," "a pure pedigree," these figures of speech have replaced the "heavenly angel" and Ossianic nomenclature; the old mythology of love is extinct, doomed to perish by modern dandyism. But for Rastignac, Mme. Anastasie de Restaud was the woman for whom he had sighed. He had contrived to write his name twice upon the list of partners upon her fan, and had snatched a few words with her during the first quadrille. "Where shall I meet you again, Madame?" he aske
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