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t his eyes were a tragedy, filled as they were with an anguish of helpless love. For a sad moment he gazed at her silently--then he was counting drops from a bottle, holding smelling-salts to her pinched nostrils, removing her riding-boots, indeed, deftly filling the place not only of nurse, but dressing-maid, and as the wanness gradually faded from her weary face, bravely ignoring her own feelings, she made a little joke or two, then gave me hearty thanks for coming to her rescue, as she called it, praised my effort at acting, and asked me how I liked a crying part. "Oh, I don't like it at all," I answered. "Ah," she sighed, "we never like what we do best; that's why I can never be contented in elegant light comedy, but must strain and fret after dramatic, tragic, and pathetic parts--and to think that a young, untrained girl should step out of obscurity and without an effort do what I have failed in all these years!" I stood aghast. "Why--why, Miss St. Clair!" I exclaimed, "you have applause and applause every night of your life!" "Oh," she laughed, "you foolish child, it's not the applause I'm thinking of, but something finer, rarer. You have won tears, my dear, a thing I have never done in all my life, and never shall, no, never, I see that now!" "I wish I had not!" I answered, remorsefully and quite honestly, because I was quite young and unselfish yet, and I loved her, and she understood and leaned over and kissed my cheek, and told me not to bury my talent, but to make good use of it by and by when I was older and free to choose a line of business. "Though," she added, "even here I'll wager it's few comedy parts that will come your way after to-night, young lady." And then I left her. That same night I heard that a dread disease already abode with her, and slept and waked and went and came with her, and would not be shaken off, but clung ever closer and closer; and, oh! poor Charles Barras! money might have saved her then--money right then might have saved this woman of his love, and God only knows how desperately he struggled, but the money came not. Then, worse still, Sallie was herself the bread-winner, and though Mr. Barras worked hard, doing writing and translating, acting as agent, as nurse, as maid, playing, too, in a two-act comedy, "The Hypochondriac," he still felt the sting of living on his wife's earnings, and she had, too, a mother and an elder sister to support; therefore she worked on
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