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aesthetic fibre, was as important as the other. And, dressing for dinner, he spoiled three shirts in the exact right fixing of his studs. In the dining-room, he pressed a liberal sum of American money on the head waiter, and was conducted to the table he had occupied at breakfast. Everyone, practically, except some unspeakable tourists, was in formal clothes; and the conversations, the sparkling light, were like the champagne everywhere evident. Charles chose a Spanish wine, the Marquis de Riscal; and prolonged his sitting over coffee and a cigar, a Partagas, like those in Andres' silk case. He had never before tasted coffee with such a rich thick savor, its fragrance alone, blending with the blue smoke of his cigar, filled him with pleasure. The room was long, tiled, and had, against the far wall, a great mirror which held in reverse the gay sweep of the tables, the heavily powdered shoulders of women, the prismatic flashes of diamonds and men's animated faces. The reflections were almost as fascinating as the reality, and Charles gazed from one to the other. Drinking, he saw, was universal, but none of the Cubans were drunk; and for that reason his attention was held by two men at the table next to his: the waiter had left a bottle of brandy, and the individual facing Charles, with a sallow face from which depended, like a curtain, a square-cut black beard, was filling and refilling his thimble-sized glass. He was watching, with a shifting intentness of gaze, all who entered; and suddenly, as Charles' eyes were on him, he put down his half-lifted brandy and a hand went under the fold of his coat. Charles turned, involuntarily, and saw a small immaculate Cuban with grey hair and a ribband in his buttonhole advancing among the tables. He was a man of distinguished appearance, important it was evident, for a marked number of people bowed as he passed. When he had gone on, the bearded individual rose, swaying slightly, and, with his hand still in his coat rapidly overtook the other. Charles Abbott had an impulse to cry out; but, oppressed by a sense of helpless dread, impending disaster, without a sound or power of movement he followed the course of the second figure. The two were now at the end of the dining-room, close to the mirror, when the man with the decoration stopped and turned sharply. There was the sudden stabbing report of a pistol, and, immediately following, a loud splintering crash. Charles had
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