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bt, the product of Italy, as during this time the Italians led all Europe in the arts. At a later period the clavichord was copied by the Germans and Belgians. It was used by them for centuries on account of its simple construction and low price. Mozart always carried one with him as part of his baggage when traveling. The virginal, spinet, and harpsichord followed the clavichord in rapid succession, considering that the last named instrument had been in favor for such a long time, with seemingly no attempt at improvement. All of these three instruments had strings of brass, with quill plectra attached to pieces of wood. These were called "jacks"--a name still used today in making up the action of the piano. [Illustration: Double Spinet or Virginal made by Ludovicus Grovvelus Flanders, 1600] The virginal and spinet were almost identical with each other, but the harpsichord was larger and occasionally was built with two keyboards. There are several explanations as to why the virginal was so called. One is that it got its name from its association with hymns to the Virgin. Another is that it was thus called in honor of Elizabeth, the Virgin Queen. We may accept whichever theory best suits us, but history records that both Elizabeth and Mary of Scotland were proficient in its use and that it was the favorite instrument of Henry VIII. Items for repairs and for instruction in playing the virginal appear frequently in the royal expense book, showing conclusively that His Majesty was not unmindful of such accomplishments. Four octaves was the range of these old instruments, from the second added line below in the bass to the second added line above in the treble. There was but one string to each note, and one can well understand why a writer of that period describes the tone as "a _scratch_ with a _sound_ at the end of it." Queen Elizabeth's virginal is still preserved at Worcestershire. It is a most elaborate creation, having a cedar case ornately covered with crimson velvet and lined with yellow silk. Its weight is only twenty-four pounds. Gold plate covers the front. Thirty of its fifty keys are of ebony with tips of gold. The semitone keys are inlaid with silver, ivory, and various woods, each key being composed of two hundred and fifty pieces. The royal arms are emblazoned upon the case. The Queen's virginal instruction book is also carefully kept, one of the many silent records of the accomplishments of this gifted an
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