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he sumptuous table appointments and the delicacy of the dishes, which were highly seasoned to an unusual degree, everything disclosed the importance of the expected guest and the pains that had been taken to please him. There was no mistaking the fact that it was an artist's establishment. Little silverware, but superb china, perfect harmony without the slightest attempt at arrangement. Old Rouen, pink Sevres, Dutch glass mounted in old finely-wrought pewter met on that table as on a stand of rare objects collected by a connoisseur simply to gratify his taste. The result was some slight confusion in the household, dependent as it was upon the chance of a lucky find. The exquisite oil-cruet had no stopper. The broken salt-cellar overflowed on the cloth, and every moment it was: "What has become of the mustard-pot? What has happened to that fork?" All of which troubled de Gery a little on account of the young mistress of the house, who, for her part, was not in the least disturbed. But something that made him even more ill at ease was his anxiety to know who the privileged guest was whose place he had taken at that table, whom they could entertain with such magnificence and at the same time such utter lack of ceremony. In spite of everything he felt as if that countermanded guest were present, a constant affront to his own dignity. In vain did he try to forget him; everything reminded him of him, even to the holiday attire of the kindly Fairy, who sat opposite him and who still retained some of the grand manners which she had assumed in anticipation of the solemn occasion. The thought disturbed him, poisoned his joy in being there. On the other hand, as is always the case in parties of two, where harmony of mood is very rare, he had never seen Felicia so affectionate, in such merry humor. She was in a state of effervescent, almost childlike gayety, one of those fervent outbursts of emotion which one experiences when some danger has passed, the reaction of a clear, blazing fire after the excitement of a shipwreck. She laughed heartily, teased Paul about his accent and what she called his bourgeois ideas. "For you are shockingly bourgeois, you know. But that is just what I like in you. It's on account of the contrast, I have no doubt, because I was born under a bridge, in a gust of wind, that I have always been fond of sedate, logical natures." "Oh! my dear, what do you suppose Monsieur Paul will think, when you say y
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