FREE BOOKS

Author's List




PREV.   NEXT  
|<   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   78   79   80   81   82   83   84   85  
86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104   105   106   107   108   109   110   >>   >|  
h more diligence and grace than the large ones. This work is noteworthy, not only because the little figures in it are so carefully finished that they resemble the work of an illuminator, but because it is a wonderful thing that a picture on canvas should have lasted three hundred years. He did an extraordinary number of pictures for all the city, and a St Francis drawn from life at Sargiano, a convent of the bare-footed friars. To this he placed his name, because he considered that it was more than usually well done. He afterwards made a large crucifix in wood, painted in the Byzantine manner, and sent it to Florence to M. Farinata degli Uberti, a most famous citizen who, in addition to many other notable exploits, had saved his native city from imminent danger and ruin. This crucifix is now in S. Croce, between the chapel of the Peruzzi and that of the Giugni. In S. Domenico, at Arezzo, a church and convent built by the lords of Pietramela in the year 1275, as their coat of arms proves, he did many things before returning to Rome, where he had already given great satisfaction to Pope Urban IV. by doing some things in fresco for him in the portico of St Peter's; for although in the Byzantine style of the time, they were not without merit. After he had finished a St Francis at Ganghereto, a place above Terranuova in the Valdarno, he devoted himself to sculpture, as he was of an ambitious spirit, and he studied with such diligence that he succeeded much better than he had done in painting; for although his first sculptures were in the Byzantine style, as may be seen in four figures in wood of a Deposition from the Cross in the Pieve, and some other figures in relief which are in the chapel of St Francis above the baptismal font, yet he adopted a much better manner after he had visited Florence and had seen the works of Arnolfo, and of the other more celebrated sculptors of the time. In the year 1275 he returned to Arezzo in the suite of Pope Gregory, who passed through Florence on his journey from Avignon to Rome. Here an opportunity presented itself to make himself better known, for the Pope died at Arezzo after having given 30,000 scudi to the Commune wherewith to finish the building of the Vescovado which had been begun by Master Lapo, and had made but little progress. The Aretines therefore ordained that the chapel of St Gregory should be made in memory of the Pope in the Vescovado, in which Margaritone afterwards pl
PREV.   NEXT  
|<   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   78   79   80   81   82   83   84   85  
86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104   105   106   107   108   109   110   >>   >|  



Top keywords:
Arezzo
 

chapel

 

figures

 

Florence

 

Francis

 

Byzantine

 
manner
 
Gregory
 

crucifix

 
things

finished

 

Vescovado

 
diligence
 

convent

 

sculptures

 

Aretines

 

progress

 

painting

 
succeeded
 
Ganghereto

memory

 

Margaritone

 
Terranuova
 
sculpture
 

ambitious

 

spirit

 

devoted

 
Valdarno
 

ordained

 

studied


returned

 

celebrated

 

sculptors

 

Avignon

 
opportunity
 

journey

 
passed
 

Commune

 
relief
 

building


Deposition

 

presented

 

baptismal

 
finish
 

visited

 

Arnolfo

 

wherewith

 

adopted

 

Master

 
Domenico