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peas paper zat word, var' fine word, you use him minit 'go--scatolofistico sometheengs--I wis' to larn ze Englis' better as I spiks him.' 'Certainly; give me a pencil and paper, I'll write it down, and you'll astonish some Englishman with it, I'll bet a hat.' So it was written down; and if any one ever entered a shop in the Condotti where there was a Titiano for Sal, and was 'astonished' by hearing that word used, they may know whence it came. Mr. Browne, after carefully examining the usual yellow marble model of the column of Trajan, the alabaster pyramid of Caius Cestius, the verd antique obelisks, the bronze lamps, lizards, marble _tazze_, and paste-gems of the modern-antique factories, the ever-present Beatrice Cenci on canvas, and the water-color costumes of Italy, made a purchase of a Roman mosaic paper-weight, wherein there was a green parrot with a red tail and blue legs, let in with minute particles of composition resembling stone, and left the Brick-bat man alone with his Titiano for Sal. SO LONG! Rocjean came into Caper's studio one morning, evidently having something to communicate. 'Are you busy this morning? If not, come along with me; there is something to be seen--something that beats the Mahmoudy Canal of the Past, or the Suez Canal of the Present, for wholesale slaughter; for I do assure you, on the authority of Hassel, that nine hundred and thirty-six million four hundred and sixty-one thousand people died before it was finished!' 'That must be a work worth looking at. Why, the Pyramids must be as anthills to Chimborazo in comparison to it! Nine hundred and odd millions of mortals! Why, that is about the number dying in a generation--and these have passed away while it was being completed? It ought to be a master-piece.' 'Can't we get a glass of wine round here?' asked Rocjean, looking at his watch; 'it is about luncheon-time, and I have a charming little thirst.' 'Oh! yes, there is a wine-shop only three doors from here, pure Roman. Let us go: we can stand out in the street and drink if you are afraid to go in.' Leaving the studio, they walked a few steps to a house that was literally all front-door; for the entrance was the entire width of the building, and a buffalo-team could have passed in without let. Outside stood a wine-cart, from which they were unloading several small casks of wine. The driver's seat had a hood over it, protecting him from the sun, as he lazily sle
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