bati, Saint-Saens, Moszkowski, Raff, Reinecke, Scharwenka, Schuette,
MacDowell,--or any other compositions, vocal or instrumental, in which
the student may be interested, or which he may be studying.

* * * * * *

AFTERWORD.

The expression "Musical Forms" is often used, somewhat carelessly and
erroneously, with reference to _Styles_ or _Species_ of composition,
instead of to the structural design upon which the music is based. The
"Barcarolle," "Mazurka," "Etude," "Anthem," and so forth, are _styles_
of composition, and not necessarily identified with any of the
structural _designs_ we have been examining. Read, again, our
FOREWORD. The general conditions which enter into the distinctions of
_style_ are enumerated in my "Homophonic Forms," paragraph 97, which
the student is earnestly advised to read. As to the manifold styles
themselves, with which the present book is not directly concerned, the
student is referred to Ernst Pauer's "Musical Forms," and to the music
dictionaries of Grove, Baker, Riemann, and other standard writers,
where a description of each style or species of composition may be
found.

THE END.

End of Project Gutenberg's Lessons in Music Form, by Percy Goetschius

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